O:9:"MagpieRSS":23:{s:6:"parser";i:0;s:12:"current_item";a:0:{}s:5:"items";a:10:{i:0;a:11:{s:5:"title";s:48:"The Best Horror Movies On HBO Max (January 2022)";s:4:"link";s:94:"https://bestmoviestoday.movs.world/scream-away/the-best-horror-movies-on-hbo-max-january-2022/";s:2:"dc";a:1:{s:7:"creator";s:11:"Harry World";}s:7:"pubdate";s:31:"Thu, 17 Feb 2022 02:01:14 +0000";s:8:"category";s:36:"Scream AwayHBOHorrorJanuaryMaxMovies";s:4:"guid";s:43:"https://bestmoviestoday.movs.world/?p=38110";s:11:"description";s:610:"Through the various streaming services available nowadays, most people should have no trouble finding a few horror films to watch this Halloween. HBO Max is currently available in the United States, certain places in Latin America and the Caribbean, and a select few European countries. HBO also plans to extend the service to other countries ... Read more";s:7:"content";a:1:{s:7:"encoded";s:51856:"
RELATED: Great Scary Movies You Can Stream On Netflix
HBO Max has a fantastic line-up of horror movies, covering both classics and modern titles. In fact, there are so many great films on the service that it can become difficult to select which fright fests to watch on any given night. To help make that process slightly easier, here is a rundown of the best horror movies on HBO Max.
GAMERANT VIDEO OF THE DAY
The Testament Of Dr. Mabuse (1933)
Director
Fritz Lang
Rotten Tomatoes Average Score
86
Fritz Lang’s sequel to Dr. Mabuse the Gambler is predominantly remembered for its hauntingly accurate prediction of Germany’s development in the 1930s. Putting its historical significance to one side, The Testament of Dr. Mabuse holds up as an intelligent look into the nature of evil and the influence fear can have on society. While not “horror” in the traditional sense, this film is permeated by a thick air of depression that is horrific.
Although not reaching the heights of 1927’s Metropolis or 1931’s M, The Testament of Dr. Mabuse is nevertheless a standout release by one of the film industry’s most revered directors.
The Conjuring (2013)
Director
James Wan
Rotten Tomatoes Average Score
86
One of the most celebrated modern horror franchises, The Conjuring spawned a whole host of sequels and spin-offs. HBO Max happens to have the universe’s best movies: The Conjuring, The Conjuring 2, and Annabelle: Creation. All of these are crowd-pleasing horror flicks, but for those new to the series, they should start with the 2013 film.
RELATED: Terrifying Horror Movies About Evil Children
The Conjuring loosely takes from real-life as it dives into the Warrens’ investigation of the Harrisville, Rhode Island hauntings. Featuring two likable leads and James Wan’s confident direction, The Conjuring is an impeccable haunted house film.
Severance (2006)
Director
Christopher Smith
Rotten Tomatoes Average Score
66
Horror and comedy go together shockingly well, although finding films that succeed at both genres is easier said than done. Severance walks the line between screams and laughter like a pro, taking a familiar slasher setting and throwing in a largely humourous roster of characters.
A team-building retreat goes terribly wrong when a group of employees wind up at a deserted building that happens to not be all that deserted. Completely out of their element, the “heroes” bumble their way through an array of deadly encounters in this fast-paced cinematic romp.
Onibaba (1964)
Director
Kaneto Shindô
Rotten Tomatoes Average Score
88
Inspired by a Japanese folk tale, Onibaba is unsettling on a primal level. Directed by Kaneto Shindo, the film follows a mother and daughter who have turned to murder to survive during Japan’s 14th-century civil war. Eventually, a man comes along that sparks a physical reaction in both women, along with paranoia and jealousy.
Onibaba builds towards a nightmarish final act, concluding on a scene that will engrain itself in the minds of most viewers.
From Dusk Till Dawn (1996)
Director
Robert Rodriguez
Rotten Tomatoes Average Score
62
From Dusk till Dawn is unlike any other horror movie out there, mostly because it does not reveal itself to be one until the final act. Two brothers take a family hostage and wind up at a bar in Mexico, one that seems pretty eccentric right from the get-go. Eventually, it comes to light that this establishment happens to be a popular spot for vampires.
Going from a darkly comic crime drama to a gore-filled horror fest, From Dusk till Dawn should really not work as well as it does, but Robert Rodriguez’s confident direction and a game cast help sell the story’s tonal whiplash. Ultimately, the film is just a lot of fun, and sometimes that is all you need from an action crime horror drama starring Quentin Tarantino.
Gremlins (1984)
Director
Joe Dante
Rotten Tomatoes Average Score
85
Gremlins qualifies as both a Halloween and Christmas movie, but make no mistake, Joe Dante’s film is horror. Unlike its sillier but still charming sequel, Gremlins blends its parody and comedy with vicious frights, with the eponymous monsters coming across as dangerous menaces rather than quirky misfits.
While not for young children, Gremlins is a great pick for families looking for a lighthearted horror film that does not hold back on cynicism or violence. The movie is also just entertaining and fun.
Kwaidan (1965)
Director
Masaki Kobayashi
Rotten Tomatoes Average Score
91
Consisting of four ghost stories, Kwaidan is a visual masterpiece. Each of the four shorts is defined by mesmerizing colors that are aesthetically and narratively pleasing; through the cinematography and direction, Kwaidan gives its selected Japanese folk tales an air of mysticism.
RELATED: Best Horror Games That Don’t Rely On Jump Scares
Kwaidan is not an especially scary horror film, but its haunting imagery ensures that all of its stories linger in the memory long after the credits have rolled. Kwaidan highlights just how diverse HBO Max’s horror line-up is.
Ouija: Origin Of Evil (2016)
Director
Mike Flanagan
Rotten Tomatoes Average Score
82
Unlike 2014’s toothless Ouija, Origin of Evil has something to contribute beyond recycling horror movie cliches and jump scares. Mike Flanagan’s prequel introduces likable characters, an intriguing premise build on tragedy and a hint of unpredictability, and prioritizes atmosphere over instant but forgettable scares.
RELATED: The Best Horror Movies On Amazon Prime
Since Ouija: Origin of Evil is a prequel, people can skip the 2014 movie and head straight to its 2016 follow-up. It makes for a far more satisfying experience.
House (1977)
Director
Nobuhiko Ôbayashi
Rotten Tomatoes Average Score
91
HBO Max complements its wide selection of mainstream horror films with a respectable library of niche titles, and 1977’s House certainly fits that bill. A strange Japanese horror comedy, House follows a group of girls as they head to a house in the country that is not quite as it seems.
House, or Hausu, is odd in the best possible way. While quite silly at times, the creative visuals and sheer bizarreness on display create a sense that anything can happen. This is one film that is unforgettable.
The Exorcist (1973)
Director
William Friedkin
Rotten Tomatoes Average Score
83
One of the most famous horror movies of all time, The Exorcist shocked theaters when it was originally released, and decades of imitators have done little to dull this classic’s appeal. As the title suggests, The Exorcist revolves around two priests trying to expel a demon from the body of a young girl; this battle makes up the majority of the story, and it is thrilling and terrifying to watch unfold.
Although packed to the brim with over-the-top moments, The Exorcist‘s acting is naturalistic, and it is complemented by an aesthetic that is clean but gritty. Linda Blair also gives arguably one of the greatest performances in horror.
28 Days Later (2002)
Director
Danny Boyle
Rotten Tomatoes Average Score
87
Even in a sub-genre as oversaturated as zombie flicks, 28 Days Later manages to stand out for its sheer intensity. Plot-wise, the film doesn’t traverse any especially new ground, as it once again revolves around society’s reaction to an outbreak; however, 28 Days Later‘s decision to allow its zombies to run revitalized the overused monster in a huge way.
RELATED: Canceled Zombie Games You Never Knew Existed
28 Days Later works on every level: a thrilling horror film, a biting political allegory, and a character study. Except for perhaps Shaun of the Dead and Train to Busan, 28 Days Later is arguably still the best zombie film of the 21st century.
Carnival Of Souls (1962)
Director
Herk Harvey
Rotten Tomatoes Average Score
86
Carnival of Souls has grown in reputation since its initial release as more and more people discover this stroll through madness lane. A church organist survives a car accident and moves to Salt Lake City, where she finds it difficult to fit in. Once there, she is drawn to a creepy and abandoned carnival.
Although not devoid of corny moments, Carnival of Souls fosters a dream-like atmosphere that intensifies as the film approaches its climax. The acting is also good throughout, and the movie fully earns its scares.
Night Of The Living Dead (1968)
Director
George A. Romero
Rotten Tomatoes Average Score
96
Personal preference aside, Night of the Living Dead is unquestionably the most influential zombie film of all time. George A. Romero’s classic set many of the standards that would come to define the sub-genre; impressively, age and overexposure have done little to dilute the film’s appeal or impact.
Shot on a small budget, Night of the Living Dead‘s stripped-back aesthetic enhances its fear factor. The human characters take center stage over the zombies, and in this case, it works in the film’s favor.
Godzilla (1954)
Director
Ishirō Honda
Rotten Tomatoes Average Score
93
1954’s Godzilla is one of those films that has aged well while simultaneously losing most of the fear factor that initially defined it. In a post-WWII climate, Godzilla served as a haunting allegory for nuclear war; the kaiju is an unstoppable beast that leaves nothing but destruction and death in its wake. Godzilla would eventually morph into something of a hero, but that representation is completely absent in the 1954 original.
Depressing, grim, and thematically dense, Godzilla captures the fear of its era better than most movies out there. Even without that context, this classic can still be enjoyed as a disaster movie.
King Kong (1933)
Directors
Merian C. Cooper, Ernest B. Schoedsack
Rotten Tomatoes Average Score
98
If someone is specifically seeking a terrifying horror film to watch this Halloween, then King Kong is best avoided. The monster movie doesn’t offer much in the way of scares, and some might even argue that it is more of an adventure film than a traditional horror flick. However, that has more to do with the movie’s age than its content.
RELATED: Godzilla Vs. Kong: Most Powerful Kaiju Godzilla Has Fought Other Than Kong
1933’s King Kong is a cinematic masterpiece and features some of the greatest cinematography in history. The story is universally known by this point, but that doesn’t take anything away from its epicness. For those wishing for more recent Kong-themed films, HBO Max also has them covered.
Eyes Without A Face (1960)
Director
Georges Franju
Rotten Tomatoes Average Score
98
A Gothic horror film that caused quite a stir upon its release, Eyes Without a Face follows a father’s desperate attempts to gift his daughter a new face following an accident. A difficult sit, Eyes Without a Face is the type of movie that inspires people to uncomfortably shift in their seats as they fight an innate desire to look away.
Age has lessened Eyes Without a Face‘s controversial nature, and the movie might even seem tame in a world that has experienced decades of slasher films. However, the movie’s brilliance still shines through.
Vampyr (1932)
Director
Carl Theodor Dreyer
Rotten Tomatoes Average Score
97
Along with Nosferatu, Vampyr is regarded as one of the most influential early iterations of cinematic vampires. While the former delivers something along the lines of the Dracula story, Vampyr is less confined by conventional narrative storytelling, opting to envision a dream-like environment that feels only loosely connected to reality.
Primarily taking place in a town cursed by vampires, the movie guides audiences through a series of nightmarish visuals, some of which have become iconic. Vampyr is not all that scary by today’s standards but its cinematography and atmosphere hold up splendidly.
Eraserhead (1977)
Director
David Lynch
Rotten Tomatoes Average Score
90
Eraserhead is David Lynch at his most unfiltered. A slow, uncomfortable watch, this 1977 body horror film is an abstract masterpiece, one that subtly crawls under someone’s skin as they witness imagery that will never leave them. If the Lady in the Radiator doesn’t spark a few nightmares, then the “baby” should do the trick.
RELATED: David Lynch: Every Movie Ranked By How Difficult They Are To Follow
Thematically, Eraserhead deals with anxiety over parenthood, an emotion that permeates every frame of each second. Lynch’s movie is not going to be for everyone, but anyone fond of experimental horror should watch it.
Les Diaboliques (1955)
Director
Henri-Georges Clouzot
Rotten Tomatoes Average Score
96
A defining release in French horror cinema, Les Diaboliques weaves a suspenseful murder mystery that expertly sprinkles in hints of supernatural occurrences. It is a movie that should be experienced blind, as the story’s strength lies in its misdirection and revelations.
Meticulously directed by Henri-Georges Clouzot and splendidly acted by the entire cast, particularly Simone Signoret, Les Diaboliques delivers scares through what it doesn’t show rather than what it does. For Halloween, this film could present a welcome change of pace to something like A Nightmare on Elm Street.
Evil Dead 2 (1987)
Director
Sam Raimi
Rotten Tomatoes Average Score
95
Groovy. Jumping into comedy horror territory, Evil Dead 2 sees Ash returning to a cabin in the woods that just so happens to spark the reemergence of Deadites. Ash just has the worst luck.
RELATED: The Best Horror Movies On Hulu
Sam Raimi’s Evil Dead trilogy is available on HBO Max, and the uninitiated should watch the entire thing rather than jump directly to the second entry. While all three films are great, Evil Dead 2 represents the perfect blend of its predecessor’s horror and its successor’s comedy, crafting one of the best comedy horror movies in the process.
The Shining (1980)
Director
Stanley Kubrick
Rotten Tomatoes Average Score
85
While Stanley Kubrick’s loose adaptation of Stephen King’s The Shining is notoriously detested by the novelist, the movie is nevertheless regarded as one of horror’s crowning achievements. Set predominantly in the iconic Overlook Hotel, The Shining chronicles Jack Torrance’s transformation from a slightly off father and husband into an unhinged murderer.
Jack Nicholson’s manic performance as Jack ranks among the actor’s best, a claim that is not made lightly. The Grady Twins, the elevator of blood, and “Redrum”, The Shining‘s legacy speaks for itself.
MORE: Best Horror Movies Based On Real Events
A Daredevil Game Should Play Exactly Like Sifu
Gamers have been pushing for a Daredevil video game for some time now, and if it ever happens, Sifu should be a major source of inspiration.
Read Next
About The Author
Mark Sammut (137 Articles Published)
Mark Sammut grew up on the PlayStation 1 and has been playing games ever since, although he is no longer limited to just Sony consoles. Be it RPGs, shooters, platformers, or racing games, Mark’s area of expertise covers a wide range of genres and topics. That goes beyond video games as well, extending to mediums like anime and western cinema.
More
From Mark Sammut
We want to say thanks to the writer of this post for this amazing web content
";}s:7:"summary";s:610:"Through the various streaming services available nowadays, most people should have no trouble finding a few horror films to watch this Halloween. HBO Max is currently available in the United States, certain places in Latin America and the Caribbean, and a select few European countries. HBO also plans to extend the service to other countries ... Read more";s:12:"atom_content";s:51856:"
RELATED: Great Scary Movies You Can Stream On Netflix
HBO Max has a fantastic line-up of horror movies, covering both classics and modern titles. In fact, there are so many great films on the service that it can become difficult to select which fright fests to watch on any given night. To help make that process slightly easier, here is a rundown of the best horror movies on HBO Max.
GAMERANT VIDEO OF THE DAY
The Testament Of Dr. Mabuse (1933)
Director
Fritz Lang
Rotten Tomatoes Average Score
86
Fritz Lang’s sequel to Dr. Mabuse the Gambler is predominantly remembered for its hauntingly accurate prediction of Germany’s development in the 1930s. Putting its historical significance to one side, The Testament of Dr. Mabuse holds up as an intelligent look into the nature of evil and the influence fear can have on society. While not “horror” in the traditional sense, this film is permeated by a thick air of depression that is horrific.
Although not reaching the heights of 1927’s Metropolis or 1931’s M, The Testament of Dr. Mabuse is nevertheless a standout release by one of the film industry’s most revered directors.
The Conjuring (2013)
Director
James Wan
Rotten Tomatoes Average Score
86
One of the most celebrated modern horror franchises, The Conjuring spawned a whole host of sequels and spin-offs. HBO Max happens to have the universe’s best movies: The Conjuring, The Conjuring 2, and Annabelle: Creation. All of these are crowd-pleasing horror flicks, but for those new to the series, they should start with the 2013 film.
RELATED: Terrifying Horror Movies About Evil Children
The Conjuring loosely takes from real-life as it dives into the Warrens’ investigation of the Harrisville, Rhode Island hauntings. Featuring two likable leads and James Wan’s confident direction, The Conjuring is an impeccable haunted house film.
Severance (2006)
Director
Christopher Smith
Rotten Tomatoes Average Score
66
Horror and comedy go together shockingly well, although finding films that succeed at both genres is easier said than done. Severance walks the line between screams and laughter like a pro, taking a familiar slasher setting and throwing in a largely humourous roster of characters.
A team-building retreat goes terribly wrong when a group of employees wind up at a deserted building that happens to not be all that deserted. Completely out of their element, the “heroes” bumble their way through an array of deadly encounters in this fast-paced cinematic romp.
Onibaba (1964)
Director
Kaneto Shindô
Rotten Tomatoes Average Score
88
Inspired by a Japanese folk tale, Onibaba is unsettling on a primal level. Directed by Kaneto Shindo, the film follows a mother and daughter who have turned to murder to survive during Japan’s 14th-century civil war. Eventually, a man comes along that sparks a physical reaction in both women, along with paranoia and jealousy.
Onibaba builds towards a nightmarish final act, concluding on a scene that will engrain itself in the minds of most viewers.
From Dusk Till Dawn (1996)
Director
Robert Rodriguez
Rotten Tomatoes Average Score
62
From Dusk till Dawn is unlike any other horror movie out there, mostly because it does not reveal itself to be one until the final act. Two brothers take a family hostage and wind up at a bar in Mexico, one that seems pretty eccentric right from the get-go. Eventually, it comes to light that this establishment happens to be a popular spot for vampires.
Going from a darkly comic crime drama to a gore-filled horror fest, From Dusk till Dawn should really not work as well as it does, but Robert Rodriguez’s confident direction and a game cast help sell the story’s tonal whiplash. Ultimately, the film is just a lot of fun, and sometimes that is all you need from an action crime horror drama starring Quentin Tarantino.
Gremlins (1984)
Director
Joe Dante
Rotten Tomatoes Average Score
85
Gremlins qualifies as both a Halloween and Christmas movie, but make no mistake, Joe Dante’s film is horror. Unlike its sillier but still charming sequel, Gremlins blends its parody and comedy with vicious frights, with the eponymous monsters coming across as dangerous menaces rather than quirky misfits.
While not for young children, Gremlins is a great pick for families looking for a lighthearted horror film that does not hold back on cynicism or violence. The movie is also just entertaining and fun.
Kwaidan (1965)
Director
Masaki Kobayashi
Rotten Tomatoes Average Score
91
Consisting of four ghost stories, Kwaidan is a visual masterpiece. Each of the four shorts is defined by mesmerizing colors that are aesthetically and narratively pleasing; through the cinematography and direction, Kwaidan gives its selected Japanese folk tales an air of mysticism.
RELATED: Best Horror Games That Don’t Rely On Jump Scares
Kwaidan is not an especially scary horror film, but its haunting imagery ensures that all of its stories linger in the memory long after the credits have rolled. Kwaidan highlights just how diverse HBO Max’s horror line-up is.
Ouija: Origin Of Evil (2016)
Director
Mike Flanagan
Rotten Tomatoes Average Score
82
Unlike 2014’s toothless Ouija, Origin of Evil has something to contribute beyond recycling horror movie cliches and jump scares. Mike Flanagan’s prequel introduces likable characters, an intriguing premise build on tragedy and a hint of unpredictability, and prioritizes atmosphere over instant but forgettable scares.
RELATED: The Best Horror Movies On Amazon Prime
Since Ouija: Origin of Evil is a prequel, people can skip the 2014 movie and head straight to its 2016 follow-up. It makes for a far more satisfying experience.
House (1977)
Director
Nobuhiko Ôbayashi
Rotten Tomatoes Average Score
91
HBO Max complements its wide selection of mainstream horror films with a respectable library of niche titles, and 1977’s House certainly fits that bill. A strange Japanese horror comedy, House follows a group of girls as they head to a house in the country that is not quite as it seems.
House, or Hausu, is odd in the best possible way. While quite silly at times, the creative visuals and sheer bizarreness on display create a sense that anything can happen. This is one film that is unforgettable.
The Exorcist (1973)
Director
William Friedkin
Rotten Tomatoes Average Score
83
One of the most famous horror movies of all time, The Exorcist shocked theaters when it was originally released, and decades of imitators have done little to dull this classic’s appeal. As the title suggests, The Exorcist revolves around two priests trying to expel a demon from the body of a young girl; this battle makes up the majority of the story, and it is thrilling and terrifying to watch unfold.
Although packed to the brim with over-the-top moments, The Exorcist‘s acting is naturalistic, and it is complemented by an aesthetic that is clean but gritty. Linda Blair also gives arguably one of the greatest performances in horror.
28 Days Later (2002)
Director
Danny Boyle
Rotten Tomatoes Average Score
87
Even in a sub-genre as oversaturated as zombie flicks, 28 Days Later manages to stand out for its sheer intensity. Plot-wise, the film doesn’t traverse any especially new ground, as it once again revolves around society’s reaction to an outbreak; however, 28 Days Later‘s decision to allow its zombies to run revitalized the overused monster in a huge way.
RELATED: Canceled Zombie Games You Never Knew Existed
28 Days Later works on every level: a thrilling horror film, a biting political allegory, and a character study. Except for perhaps Shaun of the Dead and Train to Busan, 28 Days Later is arguably still the best zombie film of the 21st century.
Carnival Of Souls (1962)
Director
Herk Harvey
Rotten Tomatoes Average Score
86
Carnival of Souls has grown in reputation since its initial release as more and more people discover this stroll through madness lane. A church organist survives a car accident and moves to Salt Lake City, where she finds it difficult to fit in. Once there, she is drawn to a creepy and abandoned carnival.
Although not devoid of corny moments, Carnival of Souls fosters a dream-like atmosphere that intensifies as the film approaches its climax. The acting is also good throughout, and the movie fully earns its scares.
Night Of The Living Dead (1968)
Director
George A. Romero
Rotten Tomatoes Average Score
96
Personal preference aside, Night of the Living Dead is unquestionably the most influential zombie film of all time. George A. Romero’s classic set many of the standards that would come to define the sub-genre; impressively, age and overexposure have done little to dilute the film’s appeal or impact.
Shot on a small budget, Night of the Living Dead‘s stripped-back aesthetic enhances its fear factor. The human characters take center stage over the zombies, and in this case, it works in the film’s favor.
Godzilla (1954)
Director
Ishirō Honda
Rotten Tomatoes Average Score
93
1954’s Godzilla is one of those films that has aged well while simultaneously losing most of the fear factor that initially defined it. In a post-WWII climate, Godzilla served as a haunting allegory for nuclear war; the kaiju is an unstoppable beast that leaves nothing but destruction and death in its wake. Godzilla would eventually morph into something of a hero, but that representation is completely absent in the 1954 original.
Depressing, grim, and thematically dense, Godzilla captures the fear of its era better than most movies out there. Even without that context, this classic can still be enjoyed as a disaster movie.
King Kong (1933)
Directors
Merian C. Cooper, Ernest B. Schoedsack
Rotten Tomatoes Average Score
98
If someone is specifically seeking a terrifying horror film to watch this Halloween, then King Kong is best avoided. The monster movie doesn’t offer much in the way of scares, and some might even argue that it is more of an adventure film than a traditional horror flick. However, that has more to do with the movie’s age than its content.
RELATED: Godzilla Vs. Kong: Most Powerful Kaiju Godzilla Has Fought Other Than Kong
1933’s King Kong is a cinematic masterpiece and features some of the greatest cinematography in history. The story is universally known by this point, but that doesn’t take anything away from its epicness. For those wishing for more recent Kong-themed films, HBO Max also has them covered.
Eyes Without A Face (1960)
Director
Georges Franju
Rotten Tomatoes Average Score
98
A Gothic horror film that caused quite a stir upon its release, Eyes Without a Face follows a father’s desperate attempts to gift his daughter a new face following an accident. A difficult sit, Eyes Without a Face is the type of movie that inspires people to uncomfortably shift in their seats as they fight an innate desire to look away.
Age has lessened Eyes Without a Face‘s controversial nature, and the movie might even seem tame in a world that has experienced decades of slasher films. However, the movie’s brilliance still shines through.
Vampyr (1932)
Director
Carl Theodor Dreyer
Rotten Tomatoes Average Score
97
Along with Nosferatu, Vampyr is regarded as one of the most influential early iterations of cinematic vampires. While the former delivers something along the lines of the Dracula story, Vampyr is less confined by conventional narrative storytelling, opting to envision a dream-like environment that feels only loosely connected to reality.
Primarily taking place in a town cursed by vampires, the movie guides audiences through a series of nightmarish visuals, some of which have become iconic. Vampyr is not all that scary by today’s standards but its cinematography and atmosphere hold up splendidly.
Eraserhead (1977)
Director
David Lynch
Rotten Tomatoes Average Score
90
Eraserhead is David Lynch at his most unfiltered. A slow, uncomfortable watch, this 1977 body horror film is an abstract masterpiece, one that subtly crawls under someone’s skin as they witness imagery that will never leave them. If the Lady in the Radiator doesn’t spark a few nightmares, then the “baby” should do the trick.
RELATED: David Lynch: Every Movie Ranked By How Difficult They Are To Follow
Thematically, Eraserhead deals with anxiety over parenthood, an emotion that permeates every frame of each second. Lynch’s movie is not going to be for everyone, but anyone fond of experimental horror should watch it.
Les Diaboliques (1955)
Director
Henri-Georges Clouzot
Rotten Tomatoes Average Score
96
A defining release in French horror cinema, Les Diaboliques weaves a suspenseful murder mystery that expertly sprinkles in hints of supernatural occurrences. It is a movie that should be experienced blind, as the story’s strength lies in its misdirection and revelations.
Meticulously directed by Henri-Georges Clouzot and splendidly acted by the entire cast, particularly Simone Signoret, Les Diaboliques delivers scares through what it doesn’t show rather than what it does. For Halloween, this film could present a welcome change of pace to something like A Nightmare on Elm Street.
Evil Dead 2 (1987)
Director
Sam Raimi
Rotten Tomatoes Average Score
95
Groovy. Jumping into comedy horror territory, Evil Dead 2 sees Ash returning to a cabin in the woods that just so happens to spark the reemergence of Deadites. Ash just has the worst luck.
RELATED: The Best Horror Movies On Hulu
Sam Raimi’s Evil Dead trilogy is available on HBO Max, and the uninitiated should watch the entire thing rather than jump directly to the second entry. While all three films are great, Evil Dead 2 represents the perfect blend of its predecessor’s horror and its successor’s comedy, crafting one of the best comedy horror movies in the process.
The Shining (1980)
Director
Stanley Kubrick
Rotten Tomatoes Average Score
85
While Stanley Kubrick’s loose adaptation of Stephen King’s The Shining is notoriously detested by the novelist, the movie is nevertheless regarded as one of horror’s crowning achievements. Set predominantly in the iconic Overlook Hotel, The Shining chronicles Jack Torrance’s transformation from a slightly off father and husband into an unhinged murderer.
Jack Nicholson’s manic performance as Jack ranks among the actor’s best, a claim that is not made lightly. The Grady Twins, the elevator of blood, and “Redrum”, The Shining‘s legacy speaks for itself.
MORE: Best Horror Movies Based On Real Events
A Daredevil Game Should Play Exactly Like Sifu
Gamers have been pushing for a Daredevil video game for some time now, and if it ever happens, Sifu should be a major source of inspiration.
Read Next
About The Author
Mark Sammut (137 Articles Published)
Mark Sammut grew up on the PlayStation 1 and has been playing games ever since, although he is no longer limited to just Sony consoles. Be it RPGs, shooters, platformers, or racing games, Mark’s area of expertise covers a wide range of genres and topics. That goes beyond video games as well, extending to mediums like anime and western cinema.
More
From Mark Sammut
We want to say thanks to the writer of this post for this amazing web content
";s:14:"date_timestamp";i:1645063274;}i:1;a:11:{s:5:"title";s:124:"পুত্র বাপ্পা আমেরিকাতে, আজ শেষকৃত্য নয় বাপ্পির";s:4:"link";s:235:"https://bestmoviestoday.movs.world/movies/%e0%a6%aa%e0%a7%81%e0%a6%a4%e0%a7%8d%e0%a6%b0-%e0%a6%ac%e0%a6%be%e0%a6%aa%e0%a7%8d%e0%a6%aa%e0%a6%be-%e0%a6%86%e0%a6%ae%e0%a7%87%e0%a6%b0%e0%a6%bf%e0%a6%95%e0%a6%be%e0%a6%a4%e0%a7%87-%e0%a6%86/";s:2:"dc";a:1:{s:7:"creator";s:12:"Sally Scully";}s:7:"pubdate";s:31:"Thu, 17 Feb 2022 01:26:13 +0000";s:8:"category";s:78:"Moviesআজআমরকতনয়পতরবপপবপপরশষকতয";s:4:"guid";s:43:"https://bestmoviestoday.movs.world/?p=38101";s:11:"description";s:1500:"এই সময় ডিজিটাল ডেস্ক: বুধবার শেষকৃত্য হচ্ছে না বাপ্পি লাহিড়ীর। বর্তমানে লস অ্যাঞ্জেলসে রয়েছেন তাঁর পুত্র বাপ্পা লাহিড়ী (Bappa Lahiri)। বাবার মৃত্যুর খবর শুনেই তড়িঘড়ি রওনা দিয়েছেন সেখান থেকে। তবে এদিন রাত ২টোর আগে তিনি দেশে পৌঁছতে পারবেন না। ফলে বুধবার তাঁর অন্তেষ্টি সম্ভব নয়। পরিবার সূত্রে জানা গিয়েছে, বৃহস্পতিবার শেষকৃত্য হবে কিংবদন্তী এই সংগীতশিল্পীর। ... Read more";s:7:"content";a:1:{s:7:"encoded";s:6947:"
এই সময় ডিজিটাল ডেস্ক: বুধবার শেষকৃত্য হচ্ছে না বাপ্পি লাহিড়ীর। বর্তমানে লস অ্যাঞ্জেলসে রয়েছেন তাঁর পুত্র বাপ্পা লাহিড়ী (Bappa Lahiri)। বাবার মৃত্যুর খবর শুনেই তড়িঘড়ি রওনা দিয়েছেন সেখান থেকে। তবে এদিন রাত ২টোর আগে তিনি দেশে পৌঁছতে পারবেন না। ফলে বুধবার তাঁর অন্তেষ্টি সম্ভব নয়। পরিবার সূত্রে জানা গিয়েছে, বৃহস্পতিবার শেষকৃত্য হবে কিংবদন্তী এই সংগীতশিল্পীর। সংবাদ সংস্থা সূত্রে খবর, বৃহস্পতিবার জুহুতে পবনহংস মহাশ্মশানে বাপ্পি লাহিড়ীর শেষকৃত্য হবে। বাপ্পি লাহিড়ীর পরিবারের তরফ থেকে বলা হয়েছে, “আজকের দিনটি আমাদের কাছে খুবই দুঃখের। ওঁর পুত্র বাপ্পা লাহিড়ী এই মুহূর্তে লস এঞ্জেলেসে রয়েছেন। আগামীকাল সকালে তিনি ফিরবেন। তারপর অন্তেষ্টি ক্রিয়া সম্পন্ন হবে। ওঁর আত্মার শান্তি কামনা করুন। ভালোবাসা কামনা করি।”
২ দিন আগে হাসপাতাল থেকে শেষ ইনস্টা পোস্ট বাপ্পির, কী লিখেছিলেন? এদিন Bappi Lahiri -র মৃত্যুতে শোকপ্রকাশ করেছেন প্রধানমন্ত্রী Narendra Modi। তাঁর কথায়, ”শ্রী বাপ্পি লাহিড়ীর গান খুব সুন্দরভাবে নানা আবেগ এবং মুহূর্ত ফুটিয়ে তোলে। তাঁর গান অত্যন্ত মনোগ্রাহী। প্রজন্মের পর প্রজন্ম তাঁর গানের সঙ্গে একাত্মবোধ করে। তাঁর প্রাণবন্ত স্বভাব ছিল। বাপ্পি লাহিড়ীর অভাব অনুভূব করবেন সকলে। শিল্পীর পরিবার ও পরিজনদের প্রতি সমবেদনা জানাই। ওঁ শান্তি।”
রাজ্যের মুখ্যমন্ত্রী মমতা বন্দ্যোপাধ্যায় শোকপ্রকাশ করে লেখেন, ”কিংবদন্তী সংগীত শিল্পী, গায়ক-সুরকার বাপ্পি লাহিড়ীর প্রয়াণের খবরে আমি শোকস্তব্ধ। উত্তরবঙ্গের ছেলে বাপ্পি লাহিড়ী নিজের প্রতিভা ও কঠোর পরিশ্রমে খ্যাতির সোপান বেয়ে মুগ্ধ করেছিলেন গোটা ভারত তথা বিশ্বকে। সংগীত জগতে তাঁর অবদান আমাদের গর্বিত করেছে।” এখানেই শেষ নয়, মুখ্যমন্ত্রীর সংযোজন, ”এমন সংগীত ‘জিনিয়াস’-এর অবদানকে সম্মানিত করতে পশ্চিমবঙ্গের সর্বোচ্চ অসামরিক পুরস্কার ‘বঙ্গবিভূষণ’-এ সম্মানিত করা হয় তাঁকে। শিল্পীর পরিবারের প্রতি রইল আমার সমবেদনা।”
প্রয়াত কিংবদন্তী বাপ্পি লাহিড়ী, শিল্পী মহলে শোকের ছায়া শোকের ছায়া বলিউডেও। এদিন এ আর রহমানের টুইট, “RIP বাপ্পি লাহিড়ী, হিন্দি সিনেমার ডিস্কো কিং।” সুরকার বিশাল দদলানি লেখেন, “আমি হতভম্ভ। উনি লেজেন্ড হয়ে থাকবেন। তার থেকেও বেশি উনি বন্ধু ছিলেন।” অজয় দেবগন এদিন শোকপ্রকাশ করে লেখেন, “একজন ভালো মনের মানুষ ছিলেন বাপ্পি লাহিড়ি। তাঁর মিউজিক ছিল সময়ের চেয়ে এগিয়ে। চলতে চলতে, সুরক্ষা, ডিস্কো ডান্সার-এর মতো ছবির মিউজিকের সঙ্গে হিন্দি ছবির মিউজিকে সমসাময়িক ধারা যোগ করেছিলেন বাপ্পি লাহিড়ী। ওম শান্তি দাদা, তোমাকে মিস করব।”
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";}s:7:"summary";s:1500:"এই সময় ডিজিটাল ডেস্ক: বুধবার শেষকৃত্য হচ্ছে না বাপ্পি লাহিড়ীর। বর্তমানে লস অ্যাঞ্জেলসে রয়েছেন তাঁর পুত্র বাপ্পা লাহিড়ী (Bappa Lahiri)। বাবার মৃত্যুর খবর শুনেই তড়িঘড়ি রওনা দিয়েছেন সেখান থেকে। তবে এদিন রাত ২টোর আগে তিনি দেশে পৌঁছতে পারবেন না। ফলে বুধবার তাঁর অন্তেষ্টি সম্ভব নয়। পরিবার সূত্রে জানা গিয়েছে, বৃহস্পতিবার শেষকৃত্য হবে কিংবদন্তী এই সংগীতশিল্পীর। ... Read more";s:12:"atom_content";s:6947:"
এই সময় ডিজিটাল ডেস্ক: বুধবার শেষকৃত্য হচ্ছে না বাপ্পি লাহিড়ীর। বর্তমানে লস অ্যাঞ্জেলসে রয়েছেন তাঁর পুত্র বাপ্পা লাহিড়ী (Bappa Lahiri)। বাবার মৃত্যুর খবর শুনেই তড়িঘড়ি রওনা দিয়েছেন সেখান থেকে। তবে এদিন রাত ২টোর আগে তিনি দেশে পৌঁছতে পারবেন না। ফলে বুধবার তাঁর অন্তেষ্টি সম্ভব নয়। পরিবার সূত্রে জানা গিয়েছে, বৃহস্পতিবার শেষকৃত্য হবে কিংবদন্তী এই সংগীতশিল্পীর। সংবাদ সংস্থা সূত্রে খবর, বৃহস্পতিবার জুহুতে পবনহংস মহাশ্মশানে বাপ্পি লাহিড়ীর শেষকৃত্য হবে। বাপ্পি লাহিড়ীর পরিবারের তরফ থেকে বলা হয়েছে, “আজকের দিনটি আমাদের কাছে খুবই দুঃখের। ওঁর পুত্র বাপ্পা লাহিড়ী এই মুহূর্তে লস এঞ্জেলেসে রয়েছেন। আগামীকাল সকালে তিনি ফিরবেন। তারপর অন্তেষ্টি ক্রিয়া সম্পন্ন হবে। ওঁর আত্মার শান্তি কামনা করুন। ভালোবাসা কামনা করি।”
২ দিন আগে হাসপাতাল থেকে শেষ ইনস্টা পোস্ট বাপ্পির, কী লিখেছিলেন? এদিন Bappi Lahiri -র মৃত্যুতে শোকপ্রকাশ করেছেন প্রধানমন্ত্রী Narendra Modi। তাঁর কথায়, ”শ্রী বাপ্পি লাহিড়ীর গান খুব সুন্দরভাবে নানা আবেগ এবং মুহূর্ত ফুটিয়ে তোলে। তাঁর গান অত্যন্ত মনোগ্রাহী। প্রজন্মের পর প্রজন্ম তাঁর গানের সঙ্গে একাত্মবোধ করে। তাঁর প্রাণবন্ত স্বভাব ছিল। বাপ্পি লাহিড়ীর অভাব অনুভূব করবেন সকলে। শিল্পীর পরিবার ও পরিজনদের প্রতি সমবেদনা জানাই। ওঁ শান্তি।”
রাজ্যের মুখ্যমন্ত্রী মমতা বন্দ্যোপাধ্যায় শোকপ্রকাশ করে লেখেন, ”কিংবদন্তী সংগীত শিল্পী, গায়ক-সুরকার বাপ্পি লাহিড়ীর প্রয়াণের খবরে আমি শোকস্তব্ধ। উত্তরবঙ্গের ছেলে বাপ্পি লাহিড়ী নিজের প্রতিভা ও কঠোর পরিশ্রমে খ্যাতির সোপান বেয়ে মুগ্ধ করেছিলেন গোটা ভারত তথা বিশ্বকে। সংগীত জগতে তাঁর অবদান আমাদের গর্বিত করেছে।” এখানেই শেষ নয়, মুখ্যমন্ত্রীর সংযোজন, ”এমন সংগীত ‘জিনিয়াস’-এর অবদানকে সম্মানিত করতে পশ্চিমবঙ্গের সর্বোচ্চ অসামরিক পুরস্কার ‘বঙ্গবিভূষণ’-এ সম্মানিত করা হয় তাঁকে। শিল্পীর পরিবারের প্রতি রইল আমার সমবেদনা।”
প্রয়াত কিংবদন্তী বাপ্পি লাহিড়ী, শিল্পী মহলে শোকের ছায়া শোকের ছায়া বলিউডেও। এদিন এ আর রহমানের টুইট, “RIP বাপ্পি লাহিড়ী, হিন্দি সিনেমার ডিস্কো কিং।” সুরকার বিশাল দদলানি লেখেন, “আমি হতভম্ভ। উনি লেজেন্ড হয়ে থাকবেন। তার থেকেও বেশি উনি বন্ধু ছিলেন।” অজয় দেবগন এদিন শোকপ্রকাশ করে লেখেন, “একজন ভালো মনের মানুষ ছিলেন বাপ্পি লাহিড়ি। তাঁর মিউজিক ছিল সময়ের চেয়ে এগিয়ে। চলতে চলতে, সুরক্ষা, ডিস্কো ডান্সার-এর মতো ছবির মিউজিকের সঙ্গে হিন্দি ছবির মিউজিকে সমসাময়িক ধারা যোগ করেছিলেন বাপ্পি লাহিড়ী। ওম শান্তি দাদা, তোমাকে মিস করব।”
We want to say thanks to the writer of this write-up for this amazing material
";s:14:"date_timestamp";i:1645061173;}i:2;a:11:{s:5:"title";s:54:"For Asia Kate Dillon, ‘Billions’ Is a Numbers Game";s:4:"link";s:96:"https://bestmoviestoday.movs.world/movie-actors/for-asia-kate-dillon-billions-is-a-numbers-game/";s:2:"dc";a:1:{s:7:"creator";s:9:"Blue Holt";}s:7:"pubdate";s:31:"Thu, 17 Feb 2022 01:26:10 +0000";s:8:"category";s:38:"Movie ActorsAsiaBILLIONSDillonGameKate";s:4:"guid";s:43:"https://bestmoviestoday.movs.world/?p=38099";s:11:"description";s:708:"Asia Kate Dillon | Photo courtesy of Shirin Tinati; illustration by Maggie Rossetti/Thrillist Asia Kate Dillon | Photo courtesy of Shirin Tinati; illustration by Maggie Rossetti/Thrillist From the first scene that Asia Kate Dillon’s Taylor Mason was introduced in Season 2 at a charity poker game between “the billies” (as Paul Giamatti’s Chuck Rhoades now classifies them), ... Read more";s:7:"content";a:1:{s:7:"encoded";s:18073:"
Asia Kate Dillon | Photo courtesy of Shirin Tinati; illustration by Maggie Rossetti/Thrillist
Asia Kate Dillon | Photo courtesy of Shirin Tinati; illustration by Maggie Rossetti/Thrillist
From the first scene that Asia Kate Dillon’s Taylor Masonwas introduced in Season 2 at a charity poker game between “the billies” (as Paul Giamatti’s Chuck Rhoades now classifies them), Billions transformed from a cheeky finance bro faceoff between District Attorney Rhoades and billionaire hedge-fund visionary Bobby Axelrod (Damian Lewis) to a richly layered show about the cost of insidious greed. And no one has been fucked over more, especially by Axe’s self-centered plays, than his own genius protegé, the young financial advisor Taylor. Even though he hardly batted an eye destroying Taylor’s relationship with Mike Birbiglia’s Oscar Landstraat in Season 3, and even relished squashing their independence in starting the environmentally focused Taylor Mason Carbon, Axe drew battle lines against anyone who would misgender Taylor, who uses they/them pronouns, as does Dillon, who called for the end of gendering acting categories in award shows years ago.
As the first ever non-binary lead character in a TV show, Taylor’s enemies and allies can be often be identified by how a person genders them. They come in blink-and-you’ll-miss-it moments, but if you’re sensitive to it, those quick lines shoot like barbs. And while Billions writes in those infractions, it’s used sparingly, never becoming a punchline or defining Taylor as One Thing.
“It’s just a credit to the creators and the writers for being so thoughtful about the ways that they weave that stuff into the show,” says 37-year-old Dillon over the phone. “Making it not a tokenized version of an experience, but actually a fully thought-out, fully lived-in human experience that is part of Taylor’s life and therefore part of the world of Billions. I’m one version of what non-binary looks like, sounds like. Taylor is another. Taylor and I are not the same. The stuff that I’m playing rings true and authentic for me and for the character.”
And, of course, Taylor is so much more complex than merely their gender identity, clawing out of those instances of being fucked over, doing business with shady Russian oligarchs (John Malkovich), and pinpointing the opportunities in the financial playing field that others have missed, just as their former mentor Axe taught them. In the Season 5 finale, Axe and Taylor have a heart-to-heart before he jets off to Switzerland to avoid arrest, in a trap to finally catch Axe that Taylor helped set along with Chuck and their now-boss, Corey Stoll’s Michael Thomas Aquinas Prince. (“What a name,” I say. “I know!” Dillon agrees.) As a viewer, their conversation is bittersweet, both because Axe finally acknowledges Taylor as a peer and because we might not ever see the two together again. Shipping off to a neutral territory was Billions‘ way to write Damien Lewis off the show, a decision that had been planned for years but one that felt especially tragic in the wake of the untimely death of Lewis’ wife, Helen McCrory.
“From day one, he was just so incredibly gracious and humble and vulnerable. Brought his triple-A game every time,” says Dillon. “Playing a scene like that one that we have in the finale where, we have years of the characters’ relationship behind us, and also our relationship as friends and performance peers. There’s a lot of emotion wrapped up in something like that.”
Dillon has also acted opposite Keanu Reeves as the villainous Adjudicator in John Wick Chapter 3 — Parabellum and was just cast, along with Ruth Negga and Daniel Craig, in a new Broadway staging of Macbeth. But five years working together is a long time, and their last moment on-screen together exudes a weary consolation. It’s the first time Taylor has ever seen Axe with his knees taken out—and at their own hand, no less—and, even in defeat, recognizes that he’s learned nothing.
“There’s something very sad about Axe in that moment for Taylor,” Dillon continues. “Taylor’s like, ‘I really am sorry it went this way. I wish you’d made better choices, man.’ It is a moment of them being like, ‘Wow, we’re actually peers. I’m not your mentee anymore. You’re not my mentor. That relationship is done, and I think that means that we’re done’—at least for now.”
Asia Kate Dillon in ‘Billions’ Season 6 | Showtime
Though Taylor is officially without a mentor, they’ve taken on a mentee in their newer hire Rian (Eva Victor). Their scenes together are episode highlights; their rapport is hilarious, with Taylor’s advice often falling into “the wrong side of a generation,” as they describe in a Season 5 episode, and Rian’s Millenial-Gen Z cusper attitude challenging how Taylor’s been reared to make money in the cutthroat financial industry.
“One of the things that Taylor sees in Rian, as Taylor says, is that Rian is also struggling with how to be a good person, a respectable capitalist, if that’s possible,” Dillon says. “Taylor is trying to be the mentor that Axe wasn’t to them, meaning tell Rian the truth about what this job is. The only thing that Axe ever told Taylor was, ‘Turn your hate into fuel and you’ll make millions of dollars.’ Taylor’s been able to paint a much broader picture for Rian. That is also an interesting part of the dynamic: Rian’s got the whole picture and is still wanting to be in this world. What does that say about Rian?”
For one, it says that Rian is the type of person who would like to buy $5k worth of brand-new camping equipment whenever she feels like it, as exposed in Sunday’s “Burn Rate.” The Season 6 episode plastered the line-item expenses of its core characters on the screen in another move of showing exactly how wealthy the people of this world are are while revealing fun insight into their taste. Like, who knew Wendy Rhoades (Maggie Siff) would be so fond of Mejuri jewelry?
For the richest TV characters, “stealth wealth” has become a cornerstone of exploitative capitalist costuming and a meaty point of fascination for those of us who would like to fill our closets with chic staples like Shiv Roy’s many deceptively expensive turtlenecks on Succession but can’t shell out $2,000. Billions, the other rich people show—its cache of accumulated wealth right there in the name—has more often traded in the sort of luxury experiences, like an adult rock camp or paying to smash cars and dig holes with heavy machinery, that us normies would never dare even consider as options to blow off steam. Still, the Billions-verse is hardly immune to its characters wearing a sneakily expensive t-shirt, and finally did a close read on its characters’ financial statements.
Taylor is one of the first casualties of financial transparency, whose nondescript fit clocks in at a cool $182,615, including an $180k Patek Philippe watch you’d otherwise never notice. Compared to that time keeping sticker shock, their $1,850 custom blazer seems downright reasonable.
“You just look like you’re wearing a turtleneck sweater and a blazer, but that character knows that actually cost 10 grand,” says Dillon. “What does that do to that character’s attitude? Can you imagine walking into your first day at a new job, knowing you’re wearing $34,000 worth of whatever?” Dillon is referencing the moment Kate Sacker (Condola Rashad), poached from the State’s Attorney’s office, confidently marches into her first day working at the newly minted Mike Prince Capital as legal counsel for Prince’s lofty plans to bring the 2028 Olympics to New York City. “The onion continues to be peeled over the course of Season 6.”
Asia Kate Dillon and Corey Stoll in ‘Billions’ Season 6 | Showtime
With Axe out of the picture, Season 6 clears the way for Mike Prince to fill in as the new billionaire figurehead of Billions moving forward, buying up every asset once under Axe Cap. By the middle of Episode 4, Prince seems to have won over the office’s most important stakeholders, including Wendy and Wags (David Costible), after a contentious first three episodes, but not Taylor, at least just yet. “Burn Rate,” like the character’s expenses, exposes Taylor’s “number”—that is, how much money they need to make before leaving the firm for greater pastures—first set at $100 million, with the intention of using the wealth they’ve accumulated to make real social change for good, harking back to the starry-eyed Taylor of Season 2.
“I’ve always known that Taylor was trying to figure out if they could stay a morally centered person in this world, but I didn’t know that their ultimate goal was actually to be a philanthropist,” says Dillon. “There’s now a deeper why, which is, is Taylor doing that because they’re trying to make up for all of the shit that they did to get to where they currently are? Or are they doing it because it’s something they’ve always wanted to do?”
In singlehandedly killing Taylor’s first philanthropic idea under Prince—to build the infrastructure for free Wi-Fi in both New York City, to be a more attractive destination for the Olympics Committee, and, broadly, Africa—he recalibrates their (mis)conception of how much their Number can truly achieve. The $10 billion boy Prince calls Taylor “kind of rich,” even when they’re in striking distance of $100 million, and reality-checks their dreams. “If you want to change the world, nine digits ain’t gonna do it,” he says at the end of the episode.
“What Taylor is going through is a great illustration of a person who is complicated, and is at all times trying to do what is in both their best interest and in the highest interest of all,” Dillon says. “It is at the times when those things come into conflict that create the most internal conflict for Taylor.”
With a newfound hunger to show up Prince and change the world—their best interest and the highest interest of all aligned—Taylor instantly conjures a new number for their exit strategy. I bet you can guess exactly what it is.
";}s:7:"summary";s:708:"Asia Kate Dillon | Photo courtesy of Shirin Tinati; illustration by Maggie Rossetti/Thrillist Asia Kate Dillon | Photo courtesy of Shirin Tinati; illustration by Maggie Rossetti/Thrillist From the first scene that Asia Kate Dillon’s Taylor Mason was introduced in Season 2 at a charity poker game between “the billies” (as Paul Giamatti’s Chuck Rhoades now classifies them), ... Read more";s:12:"atom_content";s:18073:"
Asia Kate Dillon | Photo courtesy of Shirin Tinati; illustration by Maggie Rossetti/Thrillist
Asia Kate Dillon | Photo courtesy of Shirin Tinati; illustration by Maggie Rossetti/Thrillist
From the first scene that Asia Kate Dillon’s Taylor Masonwas introduced in Season 2 at a charity poker game between “the billies” (as Paul Giamatti’s Chuck Rhoades now classifies them), Billions transformed from a cheeky finance bro faceoff between District Attorney Rhoades and billionaire hedge-fund visionary Bobby Axelrod (Damian Lewis) to a richly layered show about the cost of insidious greed. And no one has been fucked over more, especially by Axe’s self-centered plays, than his own genius protegé, the young financial advisor Taylor. Even though he hardly batted an eye destroying Taylor’s relationship with Mike Birbiglia’s Oscar Landstraat in Season 3, and even relished squashing their independence in starting the environmentally focused Taylor Mason Carbon, Axe drew battle lines against anyone who would misgender Taylor, who uses they/them pronouns, as does Dillon, who called for the end of gendering acting categories in award shows years ago.
As the first ever non-binary lead character in a TV show, Taylor’s enemies and allies can be often be identified by how a person genders them. They come in blink-and-you’ll-miss-it moments, but if you’re sensitive to it, those quick lines shoot like barbs. And while Billions writes in those infractions, it’s used sparingly, never becoming a punchline or defining Taylor as One Thing.
“It’s just a credit to the creators and the writers for being so thoughtful about the ways that they weave that stuff into the show,” says 37-year-old Dillon over the phone. “Making it not a tokenized version of an experience, but actually a fully thought-out, fully lived-in human experience that is part of Taylor’s life and therefore part of the world of Billions. I’m one version of what non-binary looks like, sounds like. Taylor is another. Taylor and I are not the same. The stuff that I’m playing rings true and authentic for me and for the character.”
And, of course, Taylor is so much more complex than merely their gender identity, clawing out of those instances of being fucked over, doing business with shady Russian oligarchs (John Malkovich), and pinpointing the opportunities in the financial playing field that others have missed, just as their former mentor Axe taught them. In the Season 5 finale, Axe and Taylor have a heart-to-heart before he jets off to Switzerland to avoid arrest, in a trap to finally catch Axe that Taylor helped set along with Chuck and their now-boss, Corey Stoll’s Michael Thomas Aquinas Prince. (“What a name,” I say. “I know!” Dillon agrees.) As a viewer, their conversation is bittersweet, both because Axe finally acknowledges Taylor as a peer and because we might not ever see the two together again. Shipping off to a neutral territory was Billions‘ way to write Damien Lewis off the show, a decision that had been planned for years but one that felt especially tragic in the wake of the untimely death of Lewis’ wife, Helen McCrory.
“From day one, he was just so incredibly gracious and humble and vulnerable. Brought his triple-A game every time,” says Dillon. “Playing a scene like that one that we have in the finale where, we have years of the characters’ relationship behind us, and also our relationship as friends and performance peers. There’s a lot of emotion wrapped up in something like that.”
Dillon has also acted opposite Keanu Reeves as the villainous Adjudicator in John Wick Chapter 3 — Parabellum and was just cast, along with Ruth Negga and Daniel Craig, in a new Broadway staging of Macbeth. But five years working together is a long time, and their last moment on-screen together exudes a weary consolation. It’s the first time Taylor has ever seen Axe with his knees taken out—and at their own hand, no less—and, even in defeat, recognizes that he’s learned nothing.
“There’s something very sad about Axe in that moment for Taylor,” Dillon continues. “Taylor’s like, ‘I really am sorry it went this way. I wish you’d made better choices, man.’ It is a moment of them being like, ‘Wow, we’re actually peers. I’m not your mentee anymore. You’re not my mentor. That relationship is done, and I think that means that we’re done’—at least for now.”
Asia Kate Dillon in ‘Billions’ Season 6 | Showtime
Though Taylor is officially without a mentor, they’ve taken on a mentee in their newer hire Rian (Eva Victor). Their scenes together are episode highlights; their rapport is hilarious, with Taylor’s advice often falling into “the wrong side of a generation,” as they describe in a Season 5 episode, and Rian’s Millenial-Gen Z cusper attitude challenging how Taylor’s been reared to make money in the cutthroat financial industry.
“One of the things that Taylor sees in Rian, as Taylor says, is that Rian is also struggling with how to be a good person, a respectable capitalist, if that’s possible,” Dillon says. “Taylor is trying to be the mentor that Axe wasn’t to them, meaning tell Rian the truth about what this job is. The only thing that Axe ever told Taylor was, ‘Turn your hate into fuel and you’ll make millions of dollars.’ Taylor’s been able to paint a much broader picture for Rian. That is also an interesting part of the dynamic: Rian’s got the whole picture and is still wanting to be in this world. What does that say about Rian?”
For one, it says that Rian is the type of person who would like to buy $5k worth of brand-new camping equipment whenever she feels like it, as exposed in Sunday’s “Burn Rate.” The Season 6 episode plastered the line-item expenses of its core characters on the screen in another move of showing exactly how wealthy the people of this world are are while revealing fun insight into their taste. Like, who knew Wendy Rhoades (Maggie Siff) would be so fond of Mejuri jewelry?
For the richest TV characters, “stealth wealth” has become a cornerstone of exploitative capitalist costuming and a meaty point of fascination for those of us who would like to fill our closets with chic staples like Shiv Roy’s many deceptively expensive turtlenecks on Succession but can’t shell out $2,000. Billions, the other rich people show—its cache of accumulated wealth right there in the name—has more often traded in the sort of luxury experiences, like an adult rock camp or paying to smash cars and dig holes with heavy machinery, that us normies would never dare even consider as options to blow off steam. Still, the Billions-verse is hardly immune to its characters wearing a sneakily expensive t-shirt, and finally did a close read on its characters’ financial statements.
Taylor is one of the first casualties of financial transparency, whose nondescript fit clocks in at a cool $182,615, including an $180k Patek Philippe watch you’d otherwise never notice. Compared to that time keeping sticker shock, their $1,850 custom blazer seems downright reasonable.
“You just look like you’re wearing a turtleneck sweater and a blazer, but that character knows that actually cost 10 grand,” says Dillon. “What does that do to that character’s attitude? Can you imagine walking into your first day at a new job, knowing you’re wearing $34,000 worth of whatever?” Dillon is referencing the moment Kate Sacker (Condola Rashad), poached from the State’s Attorney’s office, confidently marches into her first day working at the newly minted Mike Prince Capital as legal counsel for Prince’s lofty plans to bring the 2028 Olympics to New York City. “The onion continues to be peeled over the course of Season 6.”
Asia Kate Dillon and Corey Stoll in ‘Billions’ Season 6 | Showtime
With Axe out of the picture, Season 6 clears the way for Mike Prince to fill in as the new billionaire figurehead of Billions moving forward, buying up every asset once under Axe Cap. By the middle of Episode 4, Prince seems to have won over the office’s most important stakeholders, including Wendy and Wags (David Costible), after a contentious first three episodes, but not Taylor, at least just yet. “Burn Rate,” like the character’s expenses, exposes Taylor’s “number”—that is, how much money they need to make before leaving the firm for greater pastures—first set at $100 million, with the intention of using the wealth they’ve accumulated to make real social change for good, harking back to the starry-eyed Taylor of Season 2.
“I’ve always known that Taylor was trying to figure out if they could stay a morally centered person in this world, but I didn’t know that their ultimate goal was actually to be a philanthropist,” says Dillon. “There’s now a deeper why, which is, is Taylor doing that because they’re trying to make up for all of the shit that they did to get to where they currently are? Or are they doing it because it’s something they’ve always wanted to do?”
In singlehandedly killing Taylor’s first philanthropic idea under Prince—to build the infrastructure for free Wi-Fi in both New York City, to be a more attractive destination for the Olympics Committee, and, broadly, Africa—he recalibrates their (mis)conception of how much their Number can truly achieve. The $10 billion boy Prince calls Taylor “kind of rich,” even when they’re in striking distance of $100 million, and reality-checks their dreams. “If you want to change the world, nine digits ain’t gonna do it,” he says at the end of the episode.
“What Taylor is going through is a great illustration of a person who is complicated, and is at all times trying to do what is in both their best interest and in the highest interest of all,” Dillon says. “It is at the times when those things come into conflict that create the most internal conflict for Taylor.”
With a newfound hunger to show up Prince and change the world—their best interest and the highest interest of all aligned—Taylor instantly conjures a new number for their exit strategy. I bet you can guess exactly what it is.
";s:14:"date_timestamp";i:1645061170;}i:3;a:11:{s:5:"title";s:62:"Grainne Brunsdon announced as Screen Australia head of content";s:4:"link";s:125:"https://bestmoviestoday.movs.world/movie-production-companies/grainne-brunsdon-announced-as-screen-australia-head-of-content/";s:2:"dc";a:1:{s:7:"creator";s:12:"Sally Scully";}s:7:"pubdate";s:31:"Thu, 17 Feb 2022 01:23:15 +0000";s:8:"category";s:72:"Movie Production CompaniesannouncedAustraliaBrunsdonContentGrainneScreen";s:4:"guid";s:43:"https://bestmoviestoday.movs.world/?p=38093";s:11:"description";s:727:"Share Tweet Share Email Screen Australia has announced the appointment of Grainne Brunsdon as head of content, to lead the agency’s production investment, development, distribution support and initiatives across Australian screen content including feature film, television, online and documentary. With more than 25 years’ experience, Brunsdon is a strategic leader in the creative industries who ... Read more";s:7:"content";a:1:{s:7:"encoded";s:5747:"
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Screen Australia has announced the appointment of Grainne Brunsdon as head of content, to lead the agency’s production investment, development, distribution support and initiatives across Australian screen content including feature film, television, online and documentary.
With more than 25 years’ experience, Brunsdon is a strategic leader in the creative industries who has held high-ranking roles in the screen sector, international arts and culture as well as tertiary education in design and management. Brunsdon comes to Screen Australia from her current role as Head of Screen NSW.
Since 2010, Brunsdon has held several senior roles in Screen NSW, Create NSW and Arts NSW. As Head of Screen NSW since 2019, Brunsdon has overseen the state’s investment in the screen sector including production incentives, industry development and supporting New South Wales productions through Covid-19 lockdowns. Prior to this, Brunsdon was director of arts investment, engagement and development at Create NSW where she was instrumental in the introduction of the 50:50 by 2020 initiative addressing gender parity in the screen industry, and Screenability NSW addressing opportunities for practitioners with disability in the screen sector.
While at Screen NSW, Brunsdon has also worked as head of strategy, partnerships and industry development and manager of stakeholder relations and industry development. She has experience managing funding programs at Arts NSW, including for visual arts, museums, festivals, literature and new media.
Brunsdon has held senior leadership roles in international cultural relations with the British Council, roles in design education with TAFE and UNSW, and in management and development with the Australian Design Centre. She is a member of the UNESCO Creative Cities Steering Group representing film, and while at Screen NSW she managed the designation of Sydney as a UNESCO City of Film.
Screen Australia’s CEO Graeme Mason said, “We’re thrilled to welcome Grainne on board. We had some exceptional candidates and Grainne’s wealth of experience in the sector made her an immediate stand out. With her immense cultural leadership experience, Grainne is superbly placed to lead our Content Department to continue to support the Australian screen industry, and the advancement of our local storytellers and stories.”
Grainne Brunsdon said, “I’m very excited to join the Screen Australia team and work on a national agenda for the screen sector. Screen Australia has made a profound impact on the sector through its program and initiatives and I’m very much looking forward to contributing to this.”
Brunsdon will commence the role from 21 March, taking over from Sally Caplan, who departed the agency in January after eight years in the role.
On Caplan’s departure, Mason said, “Sally was a formidable head of content whose invaluable advice and guidance has left a wonderful legacy at Screen Australia. We are very grateful for her tremendous hard work during her time at the agency.”
We wish to give thanks to the author of this article for this amazing content
";}s:7:"summary";s:727:"Share Tweet Share Email Screen Australia has announced the appointment of Grainne Brunsdon as head of content, to lead the agency’s production investment, development, distribution support and initiatives across Australian screen content including feature film, television, online and documentary. With more than 25 years’ experience, Brunsdon is a strategic leader in the creative industries who ... Read more";s:12:"atom_content";s:5747:"
Share
Tweet
Share
Email
Screen Australia has announced the appointment of Grainne Brunsdon as head of content, to lead the agency’s production investment, development, distribution support and initiatives across Australian screen content including feature film, television, online and documentary.
With more than 25 years’ experience, Brunsdon is a strategic leader in the creative industries who has held high-ranking roles in the screen sector, international arts and culture as well as tertiary education in design and management. Brunsdon comes to Screen Australia from her current role as Head of Screen NSW.
Since 2010, Brunsdon has held several senior roles in Screen NSW, Create NSW and Arts NSW. As Head of Screen NSW since 2019, Brunsdon has overseen the state’s investment in the screen sector including production incentives, industry development and supporting New South Wales productions through Covid-19 lockdowns. Prior to this, Brunsdon was director of arts investment, engagement and development at Create NSW where she was instrumental in the introduction of the 50:50 by 2020 initiative addressing gender parity in the screen industry, and Screenability NSW addressing opportunities for practitioners with disability in the screen sector.
While at Screen NSW, Brunsdon has also worked as head of strategy, partnerships and industry development and manager of stakeholder relations and industry development. She has experience managing funding programs at Arts NSW, including for visual arts, museums, festivals, literature and new media.
Brunsdon has held senior leadership roles in international cultural relations with the British Council, roles in design education with TAFE and UNSW, and in management and development with the Australian Design Centre. She is a member of the UNESCO Creative Cities Steering Group representing film, and while at Screen NSW she managed the designation of Sydney as a UNESCO City of Film.
Screen Australia’s CEO Graeme Mason said, “We’re thrilled to welcome Grainne on board. We had some exceptional candidates and Grainne’s wealth of experience in the sector made her an immediate stand out. With her immense cultural leadership experience, Grainne is superbly placed to lead our Content Department to continue to support the Australian screen industry, and the advancement of our local storytellers and stories.”
Grainne Brunsdon said, “I’m very excited to join the Screen Australia team and work on a national agenda for the screen sector. Screen Australia has made a profound impact on the sector through its program and initiatives and I’m very much looking forward to contributing to this.”
Brunsdon will commence the role from 21 March, taking over from Sally Caplan, who departed the agency in January after eight years in the role.
On Caplan’s departure, Mason said, “Sally was a formidable head of content whose invaluable advice and guidance has left a wonderful legacy at Screen Australia. We are very grateful for her tremendous hard work during her time at the agency.”
We wish to give thanks to the author of this article for this amazing content
";s:14:"date_timestamp";i:1645060995;}i:4;a:11:{s:5:"title";s:124:"CNC Controller Market Size | Bosch Rexroth AG, Siemens AG, Mitsubishi Electric Corporation, DMG Mori Co. Ltd. – Sox Sphere";s:4:"link";s:176:"https://bestmoviestoday.movs.world/movie-production-companies/cnc-controller-market-size-bosch-rexroth-ag-siemens-ag-mitsubishi-electric-corporation-dmg-mori-co-ltd-sox-sphere/";s:2:"dc";a:1:{s:7:"creator";s:12:"Sally Scully";}s:7:"pubdate";s:31:"Thu, 17 Feb 2022 01:21:55 +0000";s:8:"category";s:113:"Movie Production CompaniesBoschCNCControllerCorporationDMGelectricmarketMitsubishiMoriRexrothSiemensSizeSoxSphere";s:4:"guid";s:43:"https://bestmoviestoday.movs.world/?p=38087";s:11:"description";s:898:"New Jersey, United States,- This CNC Controller Market analysis highlights company profiles, product specifications, capacities and key market shares for each industry. The three main areas discussed here are the product type, the competition section, and the end-use section. It further talks about some crucial factors that are highly influencing the growth of the market and ... Read more";s:7:"content";a:1:{s:7:"encoded";s:16648:"
New Jersey, United States,- This CNC Controller Market analysis highlights company profiles, product specifications, capacities and key market shares for each industry. The three main areas discussed here are the product type, the competition section, and the end-use section. It further talks about some crucial factors that are highly influencing the growth of the market and helping to earn huge profits in the business. It also cites issues faced by key industries and significant gaps. Financial and social factors relevant to the industry will continue to be discussed to help business stakeholders in their effective decision-making. Contributions from key participants, industry representatives from across the value chain, and qualitative forecasts by market analysts are the major factors covered in this easy-to-understand CNC Controller market report. Trends in the parent market are also explained here. It not only describes the serious impact of COVID-19 on the global economy, but also outlines the strategies that the industry is adopting to get out of the serious situation caused by this epidemic.
The estimated market growth for the forecast period 2022-2029 is covered in this CNC Controller market research report. The competitive landscape of companies is provided here to give the key players a clear understanding of the global competition. It discusses newly introduced technologies and customer requirements, which greatly helps the key players to get a comprehensive picture of the market situation. Market size by country and region is also presented along with end-user information. This market research is an essential factor in a company’s success as it provides an effective strategy to seize the best opportunities and achieve set business goals.
Key Players Mentioned in the CNC Controller Market Research Report:
Bosch Rexroth AG, Siemens AG, Mitsubishi Electric Corporation, DMG Mori Co. Ltd., Hurco Companies, Okuma Corporation
CNC Controller Market Segmentation:
By the product type, the market is primarily split into:
• Type I • Type II • Type III • Type IV
By the application, this report covers the following segments:
• Fanuc Corporation • Siemens AG • Mitsubishi Electric Corporation • DMG Mori Co.
Revenue Forecast, Company Ranking, Competitive Landscape, Growth Factors, and Trends
BY REGION
North America, Europe, Asia Pacific, Latin America, Middle East and Africa
CUSTOMIZATION SCOPE
Free report customization (equivalent up to 4 analysts working days) with purchase. Addition or alteration to country, regional & segment scope.
Geographic Segment Covered in the Report:
The CNC Controller report provides information about the market area, which is further subdivided into sub-regions and countries/regions. In addition to the market share in each country and sub-region, this chapter of this report also contains information on profit opportunities. This chapter of the report mentions the market share and growth rate of each region, country and sub-region during the estimated period.
• North America (USA and Canada) • Europe (UK, Germany, France and the rest of Europe) • Asia Pacific (China, Japan, India, and the rest of the Asia Pacific region) • Latin America (Brazil, Mexico, and the rest of Latin America) • Middle East and Africa (GCC and rest of the Middle East and Africa)
Key questions answered in the report:
1. Which are the five top players of the CNC Controller market?
2. How will the CNC Controller market change in the next five years?
3. Which product and application will take a lion’s share of the CNC Controller market?
4. What are the drivers and restraints of the CNC Controller market?
5. Which regional market will show the highest growth?
6. What will be the CAGR and size of the CNC Controller market throughout the forecast period?
Visualize CNC Controller Market using Verified Market Intelligence:-
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Our research spans over a multitude of industries including Energy, Technology, Manufacturing and Construction, Chemicals and Materials, Food and Beverages etc. Having serviced many Fortune 2000 organizations, we bring a rich and reliable experience that covers all kinds of research needs.
";}s:7:"summary";s:898:"New Jersey, United States,- This CNC Controller Market analysis highlights company profiles, product specifications, capacities and key market shares for each industry. The three main areas discussed here are the product type, the competition section, and the end-use section. It further talks about some crucial factors that are highly influencing the growth of the market and ... Read more";s:12:"atom_content";s:16648:"
New Jersey, United States,- This CNC Controller Market analysis highlights company profiles, product specifications, capacities and key market shares for each industry. The three main areas discussed here are the product type, the competition section, and the end-use section. It further talks about some crucial factors that are highly influencing the growth of the market and helping to earn huge profits in the business. It also cites issues faced by key industries and significant gaps. Financial and social factors relevant to the industry will continue to be discussed to help business stakeholders in their effective decision-making. Contributions from key participants, industry representatives from across the value chain, and qualitative forecasts by market analysts are the major factors covered in this easy-to-understand CNC Controller market report. Trends in the parent market are also explained here. It not only describes the serious impact of COVID-19 on the global economy, but also outlines the strategies that the industry is adopting to get out of the serious situation caused by this epidemic.
The estimated market growth for the forecast period 2022-2029 is covered in this CNC Controller market research report. The competitive landscape of companies is provided here to give the key players a clear understanding of the global competition. It discusses newly introduced technologies and customer requirements, which greatly helps the key players to get a comprehensive picture of the market situation. Market size by country and region is also presented along with end-user information. This market research is an essential factor in a company’s success as it provides an effective strategy to seize the best opportunities and achieve set business goals.
Key Players Mentioned in the CNC Controller Market Research Report:
Bosch Rexroth AG, Siemens AG, Mitsubishi Electric Corporation, DMG Mori Co. Ltd., Hurco Companies, Okuma Corporation
CNC Controller Market Segmentation:
By the product type, the market is primarily split into:
• Type I • Type II • Type III • Type IV
By the application, this report covers the following segments:
• Fanuc Corporation • Siemens AG • Mitsubishi Electric Corporation • DMG Mori Co.
Revenue Forecast, Company Ranking, Competitive Landscape, Growth Factors, and Trends
BY REGION
North America, Europe, Asia Pacific, Latin America, Middle East and Africa
CUSTOMIZATION SCOPE
Free report customization (equivalent up to 4 analysts working days) with purchase. Addition or alteration to country, regional & segment scope.
Geographic Segment Covered in the Report:
The CNC Controller report provides information about the market area, which is further subdivided into sub-regions and countries/regions. In addition to the market share in each country and sub-region, this chapter of this report also contains information on profit opportunities. This chapter of the report mentions the market share and growth rate of each region, country and sub-region during the estimated period.
• North America (USA and Canada) • Europe (UK, Germany, France and the rest of Europe) • Asia Pacific (China, Japan, India, and the rest of the Asia Pacific region) • Latin America (Brazil, Mexico, and the rest of Latin America) • Middle East and Africa (GCC and rest of the Middle East and Africa)
Key questions answered in the report:
1. Which are the five top players of the CNC Controller market?
2. How will the CNC Controller market change in the next five years?
3. Which product and application will take a lion’s share of the CNC Controller market?
4. What are the drivers and restraints of the CNC Controller market?
5. Which regional market will show the highest growth?
6. What will be the CAGR and size of the CNC Controller market throughout the forecast period?
Visualize CNC Controller Market using Verified Market Intelligence:-
Verified Market Intelligence is our BI-enabled platform for narrative storytelling of this market. VMI offers in-depth forecasted trends and accurate Insights on over 20,000+ emerging & niche markets, helping you make critical revenue-impacting decisions for a brilliant future.
VMI provides a holistic overview and global competitive landscape with respect to Region, Country, and Segment, and Key players of your market. Present your Market Report & findings with an inbuilt presentation feature saving over 70% of your time and resources for Investor, Sales & Marketing, R&D, and Product Development pitches. VMI enables data delivery In Excel and Interactive PDF formats with over 15+ Key Market Indicators for your market.
Verified Market Reports is a leading Global Research and Consulting firm servicing over 5000+ global clients. We provide advanced analytical research solutions while offering information-enriched research studies.
We also offer insights into strategic and growth analyses and data necessary to achieve corporate goals and critical revenue decisions.
Our 250 Analysts and SME’s offer a high level of expertise in data collection and governance using industrial techniques to collect and analyze data on more than 25,000 high-impact and niche markets. Our analysts are trained to combine modern data collection techniques, superior research methodology, expertise, and years of collective experience to produce informative and accurate research.
Our research spans over a multitude of industries including Energy, Technology, Manufacturing and Construction, Chemicals and Materials, Food and Beverages etc. Having serviced many Fortune 2000 organizations, we bring a rich and reliable experience that covers all kinds of research needs.
";s:14:"date_timestamp";i:1645060915;}i:5;a:11:{s:5:"title";s:79:"Hugh Bonneville’s appearance in new Downton Abbey trailer sparks fan reaction";s:4:"link";s:125:"https://bestmoviestoday.movs.world/movie-actors/hugh-bonnevilles-appearance-in-new-downton-abbey-trailer-sparks-fan-reaction/";s:2:"dc";a:1:{s:7:"creator";s:10:"Lance Kind";}s:7:"pubdate";s:31:"Thu, 17 Feb 2022 01:19:02 +0000";s:8:"category";s:73:"Movie ActorsAbbeyAppearanceBonnevillesDowntonfanHughReactionsparkstrailer";s:4:"guid";s:43:"https://bestmoviestoday.movs.world/?p=38081";s:11:"description";s:720:"February 16, 2022 – 11:20 GMT Francesca Shillcock Hugh Bonneville shared the brand new trailer for the upcoming Downton Abbey film and fans couldn’t help but react to his appearance…
Hugh Bonneville shared the brand new trailer for the upcoming Downton Abbey sequel – and fans couldn’t help but comment on his slimmed ... Read more";s:7:"content";a:1:{s:7:"encoded";s:7657:"
Francesca Shillcock
Hugh Bonneville shared the brand new trailer for the upcoming Downton Abbey film and fans couldn’t help but react to his appearance…
Hugh Bonneville shared the brand new trailer for the upcoming Downton Abbey sequel – and fans couldn’t help but comment on his slimmed down physique and tanned complexion!
The actor wrote on Instagram alongside the latest trailer: “Ooooh look – new trailer for the second Downton Abbey film. Launches in UK cinemas on 29th April and in North America on May 20.”
WATCH: Downton Abbey releases second trailer for upcoming movie, A New Era
But many of his followers picked up on the actor’s “slim” and “tanned” look in the new film, which sees him reprise his role as the Earl of Grantham. One person complimented him, writing: “I can’t wait!!!! You’re looking very slim and tanned in it.”
Other followers couldn’t resist poking fun at the actor, with a second commenting: “What [did] they put on the face? But looking forward to it anyway,” followed by a laughing-faced emoji. As a third added: “You look very orange in this clip!” However, a fourth praised Hugh, writing: “You look so tanned, Lord Grantham!”
MORE: Downton Abbey’s Hugh Bonneville to release ‘poignant’ memoir on life and career
MORE: Downton Abbey’s Hugh Bonneville issues stark warning to fans
Hugh Bonneville is reprising his role as Robert Crawley
Perhaps Hugh’s tan is a result of filming in the south of France for the follow-up movie, which sees the Crawley family head to the French Riviera after Violet announces she has acquired a villa thanks to her previous acquaintance with a mysterious man.
Violet is keen to fly over her family to the idyllic location, despite them being confused as to how this has come about. In one part, Violet tells her family, with her favoured sharp wit: “And to that I will say goodnight, and leave you to discuss my mysterious past!”
Elsewhere in the trailer, there’s hints of marriage problems regarding Lady Mary Crawley, who is played by Michelle Dockery.
In addition to her on-screen husband, Matthew Goode, being noticeably absent, fans picked up on the character discussing the highs and lows of marriage with newcomer Hugh Dancy, who plays a Hollywood film director. In one moment, Mary says: “You don’t need me to tell you that marriage is a novel, full of plot twists along the way.”
Like this story? Sign up to our What to Watch newsletter to get other stories like this delivered straight to your inbox.
We would love to say thanks to the author of this article for this awesome content
";}s:7:"summary";s:720:"February 16, 2022 – 11:20 GMT Francesca Shillcock Hugh Bonneville shared the brand new trailer for the upcoming Downton Abbey film and fans couldn’t help but react to his appearance…
Hugh Bonneville shared the brand new trailer for the upcoming Downton Abbey sequel – and fans couldn’t help but comment on his slimmed ... Read more";s:12:"atom_content";s:7657:"
Francesca Shillcock
Hugh Bonneville shared the brand new trailer for the upcoming Downton Abbey film and fans couldn’t help but react to his appearance…
Hugh Bonneville shared the brand new trailer for the upcoming Downton Abbey sequel – and fans couldn’t help but comment on his slimmed down physique and tanned complexion!
The actor wrote on Instagram alongside the latest trailer: “Ooooh look – new trailer for the second Downton Abbey film. Launches in UK cinemas on 29th April and in North America on May 20.”
WATCH: Downton Abbey releases second trailer for upcoming movie, A New Era
But many of his followers picked up on the actor’s “slim” and “tanned” look in the new film, which sees him reprise his role as the Earl of Grantham. One person complimented him, writing: “I can’t wait!!!! You’re looking very slim and tanned in it.”
Other followers couldn’t resist poking fun at the actor, with a second commenting: “What [did] they put on the face? But looking forward to it anyway,” followed by a laughing-faced emoji. As a third added: “You look very orange in this clip!” However, a fourth praised Hugh, writing: “You look so tanned, Lord Grantham!”
MORE: Downton Abbey’s Hugh Bonneville to release ‘poignant’ memoir on life and career
MORE: Downton Abbey’s Hugh Bonneville issues stark warning to fans
Hugh Bonneville is reprising his role as Robert Crawley
Perhaps Hugh’s tan is a result of filming in the south of France for the follow-up movie, which sees the Crawley family head to the French Riviera after Violet announces she has acquired a villa thanks to her previous acquaintance with a mysterious man.
Violet is keen to fly over her family to the idyllic location, despite them being confused as to how this has come about. In one part, Violet tells her family, with her favoured sharp wit: “And to that I will say goodnight, and leave you to discuss my mysterious past!”
Elsewhere in the trailer, there’s hints of marriage problems regarding Lady Mary Crawley, who is played by Michelle Dockery.
In addition to her on-screen husband, Matthew Goode, being noticeably absent, fans picked up on the character discussing the highs and lows of marriage with newcomer Hugh Dancy, who plays a Hollywood film director. In one moment, Mary says: “You don’t need me to tell you that marriage is a novel, full of plot twists along the way.”
Like this story? Sign up to our What to Watch newsletter to get other stories like this delivered straight to your inbox.
We would love to say thanks to the author of this article for this awesome content
";s:14:"date_timestamp";i:1645060742;}i:6;a:11:{s:5:"title";s:41:"Is Jackie Earle Haley Joining The Batman?";s:4:"link";s:89:"https://bestmoviestoday.movs.world/movie-actors/is-jackie-earle-haley-joining-the-batman/";s:2:"dc";a:1:{s:7:"creator";s:10:"Tom Pauler";}s:7:"pubdate";s:31:"Thu, 17 Feb 2022 01:18:15 +0000";s:8:"category";s:41:"Movie ActorsBatmanEarleHaleyJackieJOINING";s:4:"guid";s:43:"https://bestmoviestoday.movs.world/?p=38075";s:11:"description";s:582:"x As the DC Extended Universe continues to grow, more and more actors are lining up roles in films like The Batman, Aquaman and even Justice League. Over the past several months, we’ve seen rumor after rumor pop up pointing to potential casting, and while some have turned out to be true, many remain as purely speculation. This ... Read more";s:7:"content";a:1:{s:7:"encoded";s:2919:"
As the DC Extended Universe continues to grow, more and more actors are lining up roles in films like The Batman, Aquamanand even Justice League. Over the past several months, we’ve seen rumor after rumor pop up pointing to potential casting, and while some have turned out to be true, many remain as purely speculation. This latest one fits under that category, too, as fans now believe Jackie Earle Haley may be involved in The Batman.
Earlier this week, we learned that Haley’s Watchmen co-star Patrick Wilson will have a role in Aquaman, and now, it looks as if Haley could follow a similar path. That’s because DC head honcho Geoff Johns recently followed the actor on Twitter. While you may think that means nothing, and it very well could, Johns also followed both Wilson and Joe Manganiello shortly before they were cast in their respective roles.
This all comes after both John Cleese and Armie Hammer were followed by several important DC-related Twitter accounts. And while neither of those actors have been confirmed just yet, this type of thing has panned out in the past. As we mentioned above, the casting of both Wilson and Manganiello was discovered well before Warner Bros. announced it thanks to fans keeping an eye on who Johns and other accounts were following. So who knows, there could be some truth to Haley joining the DCEU.
After all, the actor has worked with Zack Snyder before and there’s no denying that he knows how to play creepy, disturbed characters extremely well. As such, fans seem to think he may pop up as Hugo Strange or the Riddler. That’s purely speculation, of course, but we could definitely see it happening and would actually welcome it. Haley is an underrated actor who continues to impress with each and every role and after Watchmen failed to really ignite his career like it should have, we’d be thrilled to see him appear in the DCEU.
Tell us, do you think Jackie Earle Haley should be cast in The Batman? If so, who should he play? Sound off down below and let us know!
We wish to thank the writer of this short article for this incredible material
";}s:7:"summary";s:582:"x As the DC Extended Universe continues to grow, more and more actors are lining up roles in films like The Batman, Aquaman and even Justice League. Over the past several months, we’ve seen rumor after rumor pop up pointing to potential casting, and while some have turned out to be true, many remain as purely speculation. This ... Read more";s:12:"atom_content";s:2919:"
As the DC Extended Universe continues to grow, more and more actors are lining up roles in films like The Batman, Aquamanand even Justice League. Over the past several months, we’ve seen rumor after rumor pop up pointing to potential casting, and while some have turned out to be true, many remain as purely speculation. This latest one fits under that category, too, as fans now believe Jackie Earle Haley may be involved in The Batman.
Earlier this week, we learned that Haley’s Watchmen co-star Patrick Wilson will have a role in Aquaman, and now, it looks as if Haley could follow a similar path. That’s because DC head honcho Geoff Johns recently followed the actor on Twitter. While you may think that means nothing, and it very well could, Johns also followed both Wilson and Joe Manganiello shortly before they were cast in their respective roles.
This all comes after both John Cleese and Armie Hammer were followed by several important DC-related Twitter accounts. And while neither of those actors have been confirmed just yet, this type of thing has panned out in the past. As we mentioned above, the casting of both Wilson and Manganiello was discovered well before Warner Bros. announced it thanks to fans keeping an eye on who Johns and other accounts were following. So who knows, there could be some truth to Haley joining the DCEU.
After all, the actor has worked with Zack Snyder before and there’s no denying that he knows how to play creepy, disturbed characters extremely well. As such, fans seem to think he may pop up as Hugo Strange or the Riddler. That’s purely speculation, of course, but we could definitely see it happening and would actually welcome it. Haley is an underrated actor who continues to impress with each and every role and after Watchmen failed to really ignite his career like it should have, we’d be thrilled to see him appear in the DCEU.
Tell us, do you think Jackie Earle Haley should be cast in The Batman? If so, who should he play? Sound off down below and let us know!
We wish to thank the writer of this short article for this incredible material
";s:14:"date_timestamp";i:1645060695;}i:7;a:11:{s:5:"title";s:113:"Schubdier was ‘nevenslachtoffer’ – Menseninfecterende factor Covid ook in het wild aangetroffen – Foodlog";s:4:"link";s:145:"https://bestmoviestoday.movs.world/lifestyle/schubdier-was-nevenslachtoffer-menseninfecterende-factor-covid-ook-in-het-wild-aangetroffen-foodlog/";s:2:"dc";a:1:{s:7:"creator";s:10:"Holly June";}s:7:"pubdate";s:31:"Thu, 17 Feb 2022 01:16:54 +0000";s:8:"category";s:92:"LifestyleaangetroffencovidFactorFoodloghetMenseninfecterendenevenslachtofferookSchubdierwild";s:4:"guid";s:43:"https://bestmoviestoday.movs.world/?p=38069";s:11:"description";s:891:"Het Corona-effect van 16 februari 2022, de Foodlog-selectie van het coronanieuws uit de (inter)nationale pers. Het Corona-effect belicht scheuren in de voedselketen, sporen van nieuwe voedselsystemen en het ‘nieuwe gezond’. Hier vind je onze voorgaande selecties, in Gespot onze dagelijkse newsroom. De oorsprong van het SARS-CoV-2-virus is nog altijd in nevelen gehuld. Nieuw onderzoek, verschenen ... Read more";s:7:"content";a:1:{s:7:"encoded";s:3334:"
Het Corona-effect van 16 februari 2022, de Foodlog-selectie van het coronanieuws uit de (inter)nationale pers. Het Corona-effect belicht scheuren in de voedselketen, sporen van nieuwe voedselsystemen en het ‘nieuwe gezond’. Hier vind je onze voorgaande selecties, in Gespot onze dagelijkse newsroom.
De oorsprong van het SARS-CoV-2-virus is nog altijd in nevelen gehuld. Nieuw onderzoek, verschenen in Nature, door Franse wetenschappers lijkt twee mogelijke ‘verdachten’ vrij te waren. Het schubdier én het Wuhan-laboratorium.
De onderzoekers van het Institut Pasteur onderzochten 645 vleermuizen uit grotten in het noorden van Laos, dicht bij de Chinese grens. Ze vonden er 3 coronavirussen die wel heel erg lijken op SARS-CoV-2, inclusief de mogelijkheid om menselijke cellen te infecteren. “Deze drie SARS-CoV-2-achtige coronavirussen hebben een ‘receptor binding domain’ (RBD), dat zich op het Spike-eiwit bevindt, waardoor ze zich aan menselijke cellen kunnen binden. Van de 17 functioneel belangrijke aminozuren in dit domein zijn er slechts één of twee die verschillen van die van SARS-CoV-2,” aldus hoofdonderzoeker Marc Eloit in de HuffingtonPost (4.1).
Tot op heden is die capaciteit om menselijke cellen te infecteren nog nooit eerder vastgesteld bij vleermuizen. Dat was de reden dat er gezocht is naar een ‘tussengastheer’ (zoals het schubdier, of de wasbeerhond) en dat de theorie van ‘gemaakt in en ontsnapt uit het Wuhanlaboratorium’ opgang deed. In Wuhan was namelijk, in 2013, het virus RATG13 onderzocht, afkomstig uit een grot in Yunnan. RATG13 was tot nu toe de meest nabije verwant van Sars-Cov-2, maar had een afwijkend RBD-domein, dat juist niet makkelijk mensencellen infecteerde. Het onderzoek van Eloit laat zien dat een virusvariant die capaciteit ook langs natuurlijke weg kan verkrijgen. Daarmee lijkt de laboratoriummanipulatie van tafel.
En het schubdier dan? Een gevalletje van ‘collateral damage’. “Bij het schubdier (de pangolin) zijn coronavirussen aangetroffen met een RBD dat zo dicht bij het SARS-CoV-2-virus ligt dat het dier als ‘smeltkroes’ kan hebben gefungeerd,” zegt Eloit. “Maar de drie nieuwe virussen lijken erop te wijzen dat het schubdier geen tussengastheer was, maar een nevenslachtoffer, besmet door vleermuizen.”
Dit artikel afdrukken
We want to give thanks to the author of this write-up for this outstanding web content
";}s:7:"summary";s:891:"Het Corona-effect van 16 februari 2022, de Foodlog-selectie van het coronanieuws uit de (inter)nationale pers. Het Corona-effect belicht scheuren in de voedselketen, sporen van nieuwe voedselsystemen en het ‘nieuwe gezond’. Hier vind je onze voorgaande selecties, in Gespot onze dagelijkse newsroom. De oorsprong van het SARS-CoV-2-virus is nog altijd in nevelen gehuld. Nieuw onderzoek, verschenen ... Read more";s:12:"atom_content";s:3334:"
Het Corona-effect van 16 februari 2022, de Foodlog-selectie van het coronanieuws uit de (inter)nationale pers. Het Corona-effect belicht scheuren in de voedselketen, sporen van nieuwe voedselsystemen en het ‘nieuwe gezond’. Hier vind je onze voorgaande selecties, in Gespot onze dagelijkse newsroom.
De oorsprong van het SARS-CoV-2-virus is nog altijd in nevelen gehuld. Nieuw onderzoek, verschenen in Nature, door Franse wetenschappers lijkt twee mogelijke ‘verdachten’ vrij te waren. Het schubdier én het Wuhan-laboratorium.
De onderzoekers van het Institut Pasteur onderzochten 645 vleermuizen uit grotten in het noorden van Laos, dicht bij de Chinese grens. Ze vonden er 3 coronavirussen die wel heel erg lijken op SARS-CoV-2, inclusief de mogelijkheid om menselijke cellen te infecteren. “Deze drie SARS-CoV-2-achtige coronavirussen hebben een ‘receptor binding domain’ (RBD), dat zich op het Spike-eiwit bevindt, waardoor ze zich aan menselijke cellen kunnen binden. Van de 17 functioneel belangrijke aminozuren in dit domein zijn er slechts één of twee die verschillen van die van SARS-CoV-2,” aldus hoofdonderzoeker Marc Eloit in de HuffingtonPost (4.1).
Tot op heden is die capaciteit om menselijke cellen te infecteren nog nooit eerder vastgesteld bij vleermuizen. Dat was de reden dat er gezocht is naar een ‘tussengastheer’ (zoals het schubdier, of de wasbeerhond) en dat de theorie van ‘gemaakt in en ontsnapt uit het Wuhanlaboratorium’ opgang deed. In Wuhan was namelijk, in 2013, het virus RATG13 onderzocht, afkomstig uit een grot in Yunnan. RATG13 was tot nu toe de meest nabije verwant van Sars-Cov-2, maar had een afwijkend RBD-domein, dat juist niet makkelijk mensencellen infecteerde. Het onderzoek van Eloit laat zien dat een virusvariant die capaciteit ook langs natuurlijke weg kan verkrijgen. Daarmee lijkt de laboratoriummanipulatie van tafel.
En het schubdier dan? Een gevalletje van ‘collateral damage’. “Bij het schubdier (de pangolin) zijn coronavirussen aangetroffen met een RBD dat zo dicht bij het SARS-CoV-2-virus ligt dat het dier als ‘smeltkroes’ kan hebben gefungeerd,” zegt Eloit. “Maar de drie nieuwe virussen lijken erop te wijzen dat het schubdier geen tussengastheer was, maar een nevenslachtoffer, besmet door vleermuizen.”
Dit artikel afdrukken
We want to give thanks to the author of this write-up for this outstanding web content
";s:14:"date_timestamp";i:1645060614;}i:8;a:11:{s:5:"title";s:86:"Simone Biles si sposa, l’anello di fidanzamento è da sogno: l’annuncio sui social";s:4:"link";s:120:"https://bestmoviestoday.movs.world/gossip/simone-biles-si-sposa-lanello-di-fidanzamento-e-da-sogno-lannuncio-sui-social/";s:2:"dc";a:1:{s:7:"creator";s:11:"Eden Kently";}s:7:"pubdate";s:31:"Thu, 17 Feb 2022 01:15:35 +0000";s:8:"category";s:64:"GossipBilesfidanzamentolanellolannuncioSimonesocialsognosposasui";s:4:"guid";s:43:"https://bestmoviestoday.movs.world/?p=38063";s:11:"description";s:761:"
Simone Biles si sposa. La ginnasta americana più medagliata di sempre ha accettato la proposta di matrimonio del fidanzato Jonathan Owens, arrivata ieri a poche ore dalla festa di San Valentino. Leggi anche > Simone Biles, il premio dopo il coraggio: atleta dell’anno per Time dopo il ritiro dalle Olimpiadi L’anello di fidanzamento ... Read more";s:7:"content";a:1:{s:7:"encoded";s:2953:"
Simone Biles si sposa. La ginnasta americana più medagliata di sempre ha accettato la proposta di matrimonio del fidanzato Jonathan Owens, arrivata ieri a poche ore dalla festa di San Valentino.
Leggi anche > Simone Biles, il premio dopo il coraggio: atleta dell’anno per Time dopo il ritiro dalle Olimpiadi
Dopo le difficoltà ai Giochi di Tokyo e il ventilato ritiro dal mondo dello sport, Simone Biles torna a sorridere e annuncia via social la lieta notizia. «Il sì più facile. Non vedo l’ora di passare il tempo per sempre con te, sei tutto ciò che ho sognato e molto di più. Sposiamoci» ha scritto su Instagram la ginnasta 24enne, accanto a una serie di foto insieme al fidanzato Owens, giocatore degli Houston Texans di football americano.
Come da tradizione, la proposta di matrimonio è stata accompagnata da un magnifico anello: si tratta di un diamante a forma ovale corredato da un pavé di brillanti del valore di oltre 200mila euro.
Simone Biles e Jonathan Owens: quando si sono conosciuti
Simone Biles e Jonathan Owens si sono conosciuti su una dating app a marzo del 2020, ma la loro relazione è diventata pubblica solo lo scorso agosto. In questi due anni Jonathan le è stato sempre vicino, anche durante le ultime Olimpiadi di Tokyo 2020, quando l’atleta si era ritirata perché non si sentiva mentalmente pronta. «La tua forza e il tuo coraggio non hanno eguali, e mi ispiri ogni giorno di più. Sei sempre stata la mia piccola campionessa, non dimenticarlo mai. Ti amo così tanto, e sai che sarò sempre qui per te», aveva scritto Owens lo scorso luglio su Instagram alla fidanzata. Sei mesi dopo lo spotivo ha mantenuto la promessa e presto Simone e Jonathan saranno marito e moglie.
Ultimo aggiornamento: Mercoledì 16 Febbraio 2022, 18:32
";}s:7:"summary";s:761:"
Simone Biles si sposa. La ginnasta americana più medagliata di sempre ha accettato la proposta di matrimonio del fidanzato Jonathan Owens, arrivata ieri a poche ore dalla festa di San Valentino. Leggi anche > Simone Biles, il premio dopo il coraggio: atleta dell’anno per Time dopo il ritiro dalle Olimpiadi L’anello di fidanzamento ... Read more";s:12:"atom_content";s:2953:"
Simone Biles si sposa. La ginnasta americana più medagliata di sempre ha accettato la proposta di matrimonio del fidanzato Jonathan Owens, arrivata ieri a poche ore dalla festa di San Valentino.
Leggi anche > Simone Biles, il premio dopo il coraggio: atleta dell’anno per Time dopo il ritiro dalle Olimpiadi
Dopo le difficoltà ai Giochi di Tokyo e il ventilato ritiro dal mondo dello sport, Simone Biles torna a sorridere e annuncia via social la lieta notizia. «Il sì più facile. Non vedo l’ora di passare il tempo per sempre con te, sei tutto ciò che ho sognato e molto di più. Sposiamoci» ha scritto su Instagram la ginnasta 24enne, accanto a una serie di foto insieme al fidanzato Owens, giocatore degli Houston Texans di football americano.
Come da tradizione, la proposta di matrimonio è stata accompagnata da un magnifico anello: si tratta di un diamante a forma ovale corredato da un pavé di brillanti del valore di oltre 200mila euro.
Simone Biles e Jonathan Owens: quando si sono conosciuti
Simone Biles e Jonathan Owens si sono conosciuti su una dating app a marzo del 2020, ma la loro relazione è diventata pubblica solo lo scorso agosto. In questi due anni Jonathan le è stato sempre vicino, anche durante le ultime Olimpiadi di Tokyo 2020, quando l’atleta si era ritirata perché non si sentiva mentalmente pronta. «La tua forza e il tuo coraggio non hanno eguali, e mi ispiri ogni giorno di più. Sei sempre stata la mia piccola campionessa, non dimenticarlo mai. Ti amo così tanto, e sai che sarò sempre qui per te», aveva scritto Owens lo scorso luglio su Instagram alla fidanzata. Sei mesi dopo lo spotivo ha mantenuto la promessa e presto Simone e Jonathan saranno marito e moglie.
Ultimo aggiornamento: Mercoledì 16 Febbraio 2022, 18:32
";s:14:"date_timestamp";i:1645060535;}i:9;a:11:{s:5:"title";s:103:"Gf Vip, lite furibonda fra Alex Belli e Delia Duran. E lei minaccia di spaccargli la bottiglia in testa";s:4:"link";s:144:"https://bestmoviestoday.movs.world/gossip/gf-vip-lite-furibonda-fra-alex-belli-e-delia-duran-e-lei-minaccia-di-spaccargli-la-bottiglia-in-testa/";s:2:"dc";a:1:{s:7:"creator";s:10:"Debby Kent";}s:7:"pubdate";s:31:"Thu, 17 Feb 2022 01:14:23 +0000";s:8:"category";s:79:"GossipAlexBellibottigliaDeliaDuranfrafuribondaleiLiteminacciaspaccarglitestaVip";s:4:"guid";s:43:"https://bestmoviestoday.movs.world/?p=38057";s:11:"description";s:737:"
Tra Alex Belli e Delia Duran al Grande Fratello Vip scoppia la lite. I due, dopo un primo riavvicinamento notturno che ha fatto ingelosire Soleil, hanno avuto un duro confronto a causa del bacio dato dalla modella a Barù. Iva Zanicchi, a “Oggi è un altro giorno” il ricordo ... Read more";s:7:"content";a:1:{s:7:"encoded";s:3741:"
Tra Alex Belli e Delia Duran al Grande Fratello Vip scoppia la lite. I due, dopo un primo riavvicinamento notturno che ha fatto ingelosire Soleil, hanno avuto un duro confronto a causa del bacio dato dalla modella a Barù.
Iva Zanicchi, a “Oggi è un altro giorno” il ricordo commosso del papà: «Poco prima di morire…»
GFVip, scoppia la lite fra Alex Belli e Delia Duran
Il bacio che Delia Duran ha “rubato” a Barù ha scatenato la lite fra di lei e il marito Alex Belli, rientrato in gioco nell’ultima diretta. I due hanno avuto momenti romantici stanotte e la cosa ha fatto arrabbiare Soleil, ma Alex non ha mancato di criticare il comportamento della moglie in sua assenza, che avrebbe baciato il coinquilino anche per far arrabbiare Jessica: «Viaggiamo su due binari diversi – ha spiegato Belli – Per me è incomprensibile, non ha senso, una donna elegante non le fa certe cose amore mio».
Delia non ha mancato di rispondere: «Per me non c’è un senso a tutto questo, il senso è che io sono questa. Jessica ha detto di essere mia amica e il fatto che ha continuato a dire queste cose e poi mi guardava con occhi differenti perché magari scherzavo con Barù... Come quando ci siamo messe la parrucca Sole ed io e siamo andate nel letto… Non c’era malizia».
Alex Belli (Foto per gentile concessione dell’ufficio stampa Endemol Shine Italy)
Alex ha continuato ad accusarla interrompendola spesso e scatenando la sua ira. Delia infatti ha preso una bottiglia in mani e l’ha minacciato: «Fammi finire il mio dialogo o me ne vado. Mi dà fastidio il fatto che non hai capito un cavolo, non hai capito proprio niente (…) Questa roba non te la permetto Alex, se no spacco questa bottiglia, non te la permetto!». Dopo qualche secondo di indecisione Belli, per nulla intimorito, le ha consigliato di calmarsi un po’: «Eh si certo, stai tranquilla amore… Stai tranquilla eh!».
Ultimo aggiornamento: Mercoledì 16 Febbraio 2022, 20:03
";}s:7:"summary";s:737:"
Tra Alex Belli e Delia Duran al Grande Fratello Vip scoppia la lite. I due, dopo un primo riavvicinamento notturno che ha fatto ingelosire Soleil, hanno avuto un duro confronto a causa del bacio dato dalla modella a Barù. Iva Zanicchi, a “Oggi è un altro giorno” il ricordo ... Read more";s:12:"atom_content";s:3741:"
Tra Alex Belli e Delia Duran al Grande Fratello Vip scoppia la lite. I due, dopo un primo riavvicinamento notturno che ha fatto ingelosire Soleil, hanno avuto un duro confronto a causa del bacio dato dalla modella a Barù.
Iva Zanicchi, a “Oggi è un altro giorno” il ricordo commosso del papà: «Poco prima di morire…»
GFVip, scoppia la lite fra Alex Belli e Delia Duran
Il bacio che Delia Duran ha “rubato” a Barù ha scatenato la lite fra di lei e il marito Alex Belli, rientrato in gioco nell’ultima diretta. I due hanno avuto momenti romantici stanotte e la cosa ha fatto arrabbiare Soleil, ma Alex non ha mancato di criticare il comportamento della moglie in sua assenza, che avrebbe baciato il coinquilino anche per far arrabbiare Jessica: «Viaggiamo su due binari diversi – ha spiegato Belli – Per me è incomprensibile, non ha senso, una donna elegante non le fa certe cose amore mio».
Delia non ha mancato di rispondere: «Per me non c’è un senso a tutto questo, il senso è che io sono questa. Jessica ha detto di essere mia amica e il fatto che ha continuato a dire queste cose e poi mi guardava con occhi differenti perché magari scherzavo con Barù... Come quando ci siamo messe la parrucca Sole ed io e siamo andate nel letto… Non c’era malizia».
Alex Belli (Foto per gentile concessione dell’ufficio stampa Endemol Shine Italy)
Alex ha continuato ad accusarla interrompendola spesso e scatenando la sua ira. Delia infatti ha preso una bottiglia in mani e l’ha minacciato: «Fammi finire il mio dialogo o me ne vado. Mi dà fastidio il fatto che non hai capito un cavolo, non hai capito proprio niente (…) Questa roba non te la permetto Alex, se no spacco questa bottiglia, non te la permetto!». Dopo qualche secondo di indecisione Belli, per nulla intimorito, le ha consigliato di calmarsi un po’: «Eh si certo, stai tranquilla amore… Stai tranquilla eh!».
Ultimo aggiornamento: Mercoledì 16 Febbraio 2022, 20:03
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